Cited page

Citations are available only to our active members. Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

X X

Cited page

Display options
Reset

Toward a More Sustainable Theatre: Why Theatre Artists Should Be Concerned about Pollution, Global Climate Change and the Sustainable Future

By: Lawler, Mike | American Theatre, September 2008 | Article details

Look up
Saved work (0)

matching results for page

Why can't I print more than one page at a time?
While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.

Toward a More Sustainable Theatre: Why Theatre Artists Should Be Concerned about Pollution, Global Climate Change and the Sustainable Future


Lawler, Mike, American Theatre


I recently attended a concert in a smallish community center. On the stage was the faculty woodwind quintet of the University of Wisconsin--Madison--my wife is a member--and pointed at them were 30 lighting instruments. By my count, all but five were running at full throttle, burning white with no color. These instruments (ETC Source Fours with 575-watt HPL lamps) are some of the most energy-efficient on the market, and yet I couldn't help but run some rough calculations in my head: Approximately 1.34 pounds of the greenhouse gas carbon dioxide are released into the atmosphere for every kilowatt hour burned (yes, I have memorized this statistic: a national average, from a 2002 Energy Information Administration report). Running these instruments for the few hours of a performance produces merely 58 pounds of [CO.sub.2]--not much. It's about the equivalent of burning three gallons of gas in your car. But just how many community centers are out there right now doing the same thing? I thought, forgiving myself for occasionally letting the music drift out of focus. And what about the bigger players in the game?

[ILLUSTRATION OMITTED]

I imagined what it must be like on Broadway at that very moment, with thousands of such instruments lit. My head buzzed with more and more calculations: Let's say there are only 575-watt Source Fours running on Broadway--perhaps 3,000 instruments, running four hours a day, every day. Now we're talking more than 3 million pounds of [CO.sub.2] every year! The equivalent of burning 173, 755 gallons of gasoline! More than 3,500 barrels of oil! And my furious calculations were undoubtedly …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Select text to:

Select text to:

  • Highlight
  • Cite a passage
  • Look up a word
Learn more Close
Loading One moment ...
Highlight
Select color
Change color
Delete highlight
Cite this passage
Cite this highlight
View citation

Are you sure you want to delete this highlight?