Split-Scream? Stephen KingAEs aeDomeAE among His Best Tales

Daily Herald (Arlington Heights, IL), November 20, 2009 | Go to article overview
Save to active project

Split-Scream? Stephen KingAEs aeDomeAE among His Best Tales


Byline: Ted Anthony Associated Press

By now with Stephen King, itAEs easy to think this is all kind of ridiculous. An invisible dome descending upon a small town in Maine? People trapped inside, trying to figure out what on Earth is going on and u as always in a Stephen King story u dying in droves?

Good Lord. Is the King of Really Heavy Books u the author who is a one-man argument for the hernia-preventing benefits of e-books u running out of viable plot devices?

This is, after all, the guy who wrote entire volumes about cell phones turning fellow citizens into ravenous zombies, about possessed and murderous 1958 Plymouths and about evil, immortal clowns who live in the sewers and prey upon children. Really, now. How much gimmickry can one writer expect us to stomach?

Those statements are all completely fair and true. Trouble is, when it comes to "Under the Dome," theyAEre also all entirely inaccurate.

Because "Under the Dome" is one of those works of fiction that manages to be both pulp and high art, that successfully u and very improbably u captures the national zeitgeist at this particularly strange and breathless period in American history.

The town of ChesterAEs Mill, Maine u just up the road from the equally fictional Castle Rock, home to so many of KingAEs unsettling yarns u is minding its own business one dazzling October day when an unseen force field descends upon it, slicing in two pretty much anything that was crossing the edge of town at that moment.

What happens in ensuing days is even more unsettling. Except for Internet service and spotty cell-phone signals, the town is isolated and imprisoned in plain sight. And inside the dome, society slowly, inexorably, almost methodically begins to fall apart.

King is usually classified as a horror writer, but he is more of a chameleon than that. HeAEs capable of shifting from genre to genre at will, particularly in his short stories. "Under the Dome," however, is such a hodgepodge of genres that it ends up transcending genre entirely, and in the best of ways. The most accurate way of characterizing it in a single line may be "Our Town" meets "Silent Spring" meets "Lord of the Flies."

For it begins becoming evident, in the usual serpentine King way, that the environment and the way we treat it have everything to do with why the dome is there and what it might mean.

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited article

Split-Scream? Stephen KingAEs aeDomeAE among His Best Tales
Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?