"Pole, Jew, Artist: Identity and Avant-Garde": MUZEUM SZTUKI
Bartelik, Marek, Artforum International
Summing up the experience of the Jewish pioneers of modernism, the artist Henryk Gotlib observed in 1932: "It is not important what Jews became for painting but what painting became for the Jews." Without claiming to be a survey of art produced by Jewish artists in Warsaw, Lodz, Krakow, Lvov, and Vilna during the interwar period, this fascinating exhibition focused on a number of individuals who defined modernism in the local context, while situating their works in relation to a broader international art scene. Stressing the avant-garde aspects of pieces in various media, the show--superbly curated by Jaroslaw Suchan and the late Joanna Ritt--avoided presenting the artists either as ā¦
The rest of this article is only available to active members of Questia
Sign up now for a free, 1-day trial and receive full access to:
- Questia's entire collection
- Automatic bibliography creation
- More helpful research tools like notes, citations, and highlights
- Ad-free environment
Already a member? Log in now.
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Article title: "Pole, Jew, Artist: Identity and Avant-Garde": MUZEUM SZTUKI.
Contributors: Bartelik, Marek - Author.
Magazine title: Artforum International.
Volume: 48.
Issue: 6
Publication date: February 2010.
Page number: 220.
© 1999 Artforum International Magazine, Inc.
COPYRIGHT 2010 Gale Group.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
- Georgia
- Arial
- Times New Roman
- Verdana
- Courier/monospaced
Reset