Unknown Pleasures: Tom Ravenscroft on What to Look Forward to at This Summer's Music Festivals

New Statesman (1996), May 30, 2011 | Go to article overview

Unknown Pleasures: Tom Ravenscroft on What to Look Forward to at This Summer's Music Festivals


I may be about to put myself out of a lot of potential work by announcing that festival season is on the horizon - the busiest and most lucrative period for almost anyone who works in the music biz - and that ... I'm not sure how much I like it. Festivals fill me with dread a little. There are so many in the UK now, ranging from small parties held in the gardens of the parents of bored rich boys to huge, rather soulless affairs organised by multinational companies that have no interest in music but rather enjoy selling you stuff.

Given their sheer numbers, there must by now be a festival perfectly suited for everyone in the country - there's probably even one called Tom in a Field and yet I still can't find one that's the perfect fit for me. The music is either too mainstream or too pretentious and the festival-goers are either too cool or not quite cool enough. The emphasis on good food and clean, ethical living and the excitement evoked by the word "shower" would make sense if we were planning on living there for the rest of our lives. I used to comfort myself with the thought that no one is really enjoying himself at any festival but just pretending to because everyone hates a party pooper.

In much the same way as I don't like watching films with large groups of people, I think I prefer listening to music in smaller numbers. There is also the issue of sound: the bigger the stage, the worse the sound seems to get. A slight gust of wind and, as at a festival I once attended on the Spanish coast, the only person who gets to hear the songs is a fisherman three miles out to sea. (I'm sure he liked the Wooden Shjips and was grateful for their accompaniment to his daily toil.)

In recent years, however, something has changed. The larger, more commercial festivals have become the musical equivalents of gossip mags, spitting out drivel at a billion watts into the faces of ripped-off teenagers. As a result, the variety of acts elsewhere has greatly improved. It is slowly removing my years of scepticism and is perhaps even creating a drop of excitement (so, this is what it feels like). …

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