Frieze Art Fair

Artforum International, March 2012 | Go to article overview

Frieze Art Fair


Participating Galleries

303 Gallery, New York

Miguel Abreu, New York

Air de Paris, Paris

The Approach, London art: concept, Paris

Alfonso Artiaco, Naples Loura Bartlett, London

Guido W, Baufach, Betlin Boers Li, Beijing

Matianne Boesky New York

Tongo Boesky, New York

Bortolami, New York

The Breeder, Athens

Broadway 160z, New York

Gavin Btown's enterprise, New York

Daniel Buchholz, Coligae Cobinet, London

Giseli Capitain, Cologne Corlier | gebauer, Berlin

Cheim & Road, New York

Mehdi Choookri, Berlin

James Cohan, New York

Sadio Coles HQ, London

Contemporary Fine Arts, Berlin

Continuo, San Gireigtiano

Raffaello Cortese, Milan

CortiMeta London

Chantel Cmied Paris

Mamine D Catle, Mlian

Blizobecl Dee, New York

Eigen Arr Berlin

Frank aline Paris.

FGF Warsow

Fortes Vilage, Sao Paulo

Mare Faxx, Los Angeles

Corl FreedMan, London

Frith Street. Landon

Annet Gehnk, Ameterdam

AGentil Garioco Riode Janeiro

Greene Natiali, New York

Harrn Lieberman New York

Herald St. London

Xavier Hafkens, Brusels

Hgundai, Seoul

Taka Joho

Altion Jacques, London

Martin Jande Vienm

Cataone Jefftie, Vantanover

Casey Kaplan, New York

Kaugmann repertto Milan

Seen Kelly, New York Kerlin, Dubin

Anton Korn, New York

Peter Kilchmann, Zurich

Tina Kim, New York

Nicele Klone Klafobrun, New York

Johonn Konig Berlin

David Kerdansky, Los Angeles

Tomio Kogama, Tokyo

Andrew Kieps, New York

Kinzinger Vienna

Kukje Seoul kurimanutia Mexico City

Yvon Lambert, Paris

Simon Lee, Landon

Lthmano Moopin New York

Lison London

Long Maich Space Beijing

Maccarone New York

Gio Mateoni, Milan Metro Pictures New York

Meyer Kaioer Vienna

Massimo Minini, Brescio

Victurin Miro London

Mirchell-Innes & Nashm New York

Snart Shave Modern Art, London

The Modern Institute Glangoe

Taro Nasu Tokgo

Neu, Bertin

Franco Nolan New York

Maureen Paley, London

Perrouo Paris Fridrich Perral New York

Pianeesca Pio Zurich

Cregar Padnar, Bethin

Piax Delavuallade Paris

Eve Presennuber Zurkch Rampa, Inaniaul

Almine Rech Rmneis

Regine Moscow

Anthony Rehmild London

Thaddeus Rppac Paris

Andrea Raaca, New York

Salan 94, New York

Esher Schipper, Berlin

Sies + Hoke, Duselonrf

Sikkeno Jenlins & Co. …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Frieze Art Fair
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.