Pygmalion
Hodgson, Moira, The Nation
If vanity gets Valmont in the end, amother fixation gets Henry Higgins. George Bernard Shaw's Pygmalion has been so eclipsed in the public eye by the musical versions on stage and film that many people have forgotten that in the play Higgins does not marry Eliza Doolittle. Like Les Liaisons Dangereuses, Pygmalion is an anti-romance; Higgins is a confirmed bachelor, arrogant, cold and rude, who can't give all his love to any woman but his mother. Eliza, however, will not take anything less.
At the Plymouth Theatre, PeterO'Toole gives a mesmerizing but eccentric performance as Higgins (and I don't mean eccentric just because he isn't a carbon of Rex Harrison). Sometimes he is ā¦
The rest of this article is only available to active members of Questia
Sign up now for a free, 1-day trial and receive full access to:
- Questia's entire collection
- Automatic bibliography creation
- More helpful research tools like notes, citations, and highlights
- Ad-free environment
Already a member? Log in now.
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Article title: Pygmalion.
Contributors: Hodgson, Moira - Author.
Magazine title: The Nation.
Volume: 244.
Publication date: May 23, 1987.
Page number: 694+.
© 1999 The Nation Company L.P.
COPYRIGHT 1987 Gale Group.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
- Georgia
- Arial
- Times New Roman
- Verdana
- Courier/monospaced
Reset