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Julie Heffernan

By: Yood, James | Artforum International, January 2000 | Article details

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Julie Heffernan


Yood, James, Artforum International


PETER MILLER GALLERY

Julie Heffernan provides precisely the kind of thing one might expect from fin-demillennium painting (though it's pretty rarely found): a mannered, even claustrophobic engagement with canonical Western art practice. In her canvases, though, the heart of that canon is subtly undercut and oddly deflated, producing neither parody nor homage but a new and fully realized incarnation of honored artistic territories. In her paintings, easily recognizable historical prototypes--in the recent show, they included the likes of Velazquez, Mantegna, Lorenzo Lotto, Dosso Dossi, and Piero di Cosimo--rise again, but twisted and rendered dumb.

Heffernan performs …

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