NOTES & THEORIES: Altogether Starkers: A Cultural History of the Nude in Art
Bayley, Stephen, The Independent on Sunday (London, England)
Very strange, the morals and politics of nudity. Paris, of all places, is in tumult about a performance by Jan Fabre where the players are neither restrained nor detained by clothes. Nor, by all accounts, sphincters or good taste. Fabre is the Belgian artist with a long-established and dreadfully tedious interest in the aesthetics of insects. He came to notice in 1982 with his signal contribution to the history of ennui, an eight-hour play called This is the theatre one should have awaited and expected. I feel stifling waves of tedium overwhelming me even writing the title. At the moment Fabre's micturating and self-pleasuring nude warriors of beauty are dividing French opinion. ā¦
The rest of this article is only available to active members of Questia
Sign up now for a free, 1-day trial and receive full access to:
- Questia's entire collection
- Automatic bibliography creation
- More helpful research tools like notes, citations, and highlights
- Ad-free environment
Already a member? Log in now.
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Article title: NOTES & THEORIES: Altogether Starkers: A Cultural History of the Nude in Art.
Contributors: Bayley, Stephen - Author.
Newspaper title: The Independent on Sunday (London, England).
Publication date: April 1, 2005.
Page number: 5.
© 2009 The Independent on Sunday.
Provided by ProQuest LLC. All Rights Reserved.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
- Georgia
- Arial
- Times New Roman
- Verdana
- Courier/monospaced
Reset