Galleries & Exhibits

St Louis Post-Dispatch (MO), March 2, 1997 | Go to article overview

Galleries & Exhibits


MAJOR MUSEUMS

AND EXHIBITS

St. Louis Art Museum, Forest Park, 721-0072, ext. 204. Special Exhibition Gallery: "In the Light of Italy: Corot and Early Open-Air Painting." Includes 130 paintings by 48 European artists, 1780-1840. This exhibit is the centerpiece of the museum's Italian celebration (through May 18). Gallery 322: Tomie dePaola, illustrations for the "The Days of the Blackbird." This exhibition includes 126 watercolors from Italian-American children's illustrator Tomie dePaola's new book (through May 11). Gallery 202: "Italian Illuminated Manuscripts" features eight decorated initials, or full pages, and one illustrated "Book of Hours" from the museum collection and seven decorated manuscript pages from the St. Louis Library collection. (through August 10). Caitlyn Gallery, 7642 Forsyth, 862-4200. "Loves, Moods and Smiles." A premiere exhibition by French photographer Harold Glit (through April 5). Next exhibit: Yuri Gorbachev, April 25 Center for Contemporary Arts, 524 Trinity, 725-6555. "Arts Connection Workshop." Exhibition of drawing, painting, sculpture, photography and book art by program's students and instructors (through March 29). Craft Alliance, 6640 Delmar, 725-1177. "Chain Gang." Some 145 jewelry artists combine their talents in 85 feet of chain, curated by Linda Hesh and Eric Magry. The Midwest Society of Metalsmiths will create a smaller version of the chain -- a chain bracelet (through April 12). Laumeier Sculpture Park and Museum Special Projects Gallery, 12580 Rott , 821-1209. "Life Cycles." Tim Curtis presents a sculpture installation of mythic journeys and ritual and spiritual birth. Also showing: "Of Geography and Animal Dreams." Cermaic artist Gina Bobrowski challenges the viewer with life-sized human and animal images (through May 26). Midtown Arts Center, 3207 Washington, 531-2787. "Herstory: Celebrating Women in History." St. Louis Women's Caucus for Art members show (through April 11). Missouri History Museum, Forest Park, 361-9265. "St. Louis in the Gil ded Age" exhibit shows how industrialization and urban development changed the lives of St. Louisans 100 years ago. "Meet Me at the Fair" examines 1904 World's Fair's impact of civic and personal memory (through 1998). Portfolio Gallery, 3514 Delmar, 533-3323. "The Evolution" shows the works of Shane Evans' pre- and post-Africa impressions so viewers can sense his trip's influence on his creativity. Also showing: Various works from artists from West African Art Foundation -- Olorun (through March 31). St. Louis Artists' Guild, 2 Oak Knoll Park, Big Bend at Clayton, 727-6266. "Endangered Species" is an open juried show of art concerning endangered species. Also, a special exhibit of Andy Warhol's silk screen endangered species prints (through April 2). St. Louis Design Center, 917 Locust, 621-6446. "work..." Sculptor Lisa Allen presents sculpture from non-traditional materials (Sa through April 25). Also, "The Sky Above, The Mud Below." Sally Miller presents sculpture using crockery and weathered wood (Sa through April 25). Opening reception 7pm Sa. Washington University Gallery of Art, 935-4523. "The Lens of Architecture: Ronchamp Through Herve" is a collection of architectural photographs by the renowned 20th-century photographer Lucien Herve (thr ough March 30). Also showing: "Abstract Expressionism." Treasures from the gallery's collection, including paintings from Gorky, Pollack and Kooning (through April 6). GALLERIES Atrium Gallery, 7638 Forsyth, 726-1066. "Intangibles" and "On Growth and Form." Karen Kunc's "Intangibles" features woodblock prints and artist's books and Jim Nickel's "On Growth and Form" is an exhibition of mixed-media and wood sculpture (through April 26). Componere, 6509 Delmar, 721-1181. "The Natural Exchange." Vance Thompson presents carved wood, Curtis Uebelhor shows his collage/assemblage and Mary Bookwalter offers mixed-media etchings (through March 29). …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Galleries & Exhibits
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.