Public and Private Poet

By Mary Warner Marien. Mary Warner Marien, who writes from LaFayette, N. Y., teaches fine arts . | The Christian Science Monitor, September 11, 1991 | Go to article overview

Public and Private Poet


Mary Warner Marien. Mary Warner Marien, who writes from LaFayette, N. Y., teaches fine arts ., The Christian Science Monitor


WHEN Socrates counseled that the unexamined life was not worth living, he was talking about self-examination. Were he around today, he would have had to make that clear. As biography had become a penalty imposed equally on the eminent and the infamous, it is only the unexamined life that is, in some sense, livable.

And what would Socrates make of the "infotainment" notion, which has lowered current public tolerance for unleavened actuality? Starved for the oxygen of fact, biography in our time is all too often a dizzy diversion, whose frenzied prose scuttles from one keyhole to the next.

Given the current climate, and the enduring innuendo about Carl Sandburg's extramarital relationships, one might expect that a new biography of the poet would fester into yet another overheated expose. Instead, Penelope Niven's mammoth account of Sandburg's life is about as decorous as it can be and still be a product of the 20th century. Yes, she mentions the role of other women, but true to the tenor of Sandburg's life, she does not let these incidents monopolize the text. Her aim is higher - and more comprehensive.

Like many of us, Niven absorbed her initial opinions of Sandburg by cultural osmosis. She embraced the familiar elements of the Sandburg legend, including the conviction that his poetry was justifiably eclipsed long ago. As she admits in her gracefully forthright preface, I knew little of the poet and nothing of the man." Today, 17 years and 843 pages after her first casual visit to Connemara, Sandburg's solitary farm in Flat Rock, N.C., she has produced a book whose research and fair-minded mien target her own premature assumption that Sandburg was too popular to be taken seriously.

With a life as full and as complicated as Sandburg's, getting to the point where poetry is primary takes a few hundred pages. After all, Sandburg was close to 40 before he was mentally and financially able to turn his main attention to literature. Indeed, Niven's portrayal of the diversity of his life before public recognition is in some ways the most intriguing section of the book.

Having left school in the eighth grade, Sandburg worked odd jobs to help his struggling family. Like many lean-circumstanced prairie boys, he eventually became a teenage hobo.

After a stint in the Army, fighting in the Spanish-American War, Sandburg returned to his home town of Galesburg, Ill., working his way through college by moonlighting as a fireman. College nurtured the utopian longings for a better world that would characterize his various endeavors throughout life.

Throughout his 20s and 30s, Sandburg found himself zigzagging toward the ideal. He composed and published a little poetry, worked a number of jobs, firmed up his ambition to become both an orator and an author, and tentatively began writing muckraking journalism, an activity that supported him throughout his middle years. He also systematically studied socialism, which is to say, he became a enthusiast of that brand of American pacifism and populism that called itself socialism. And, in 1907 he met his "Wonder-Girl," Lillian Steichen, sister of the famous photographer, Edward Steichen. …

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