Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich
McClatchie, Stephen, Canadian University Music Review
Pamela M. Potter. Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich. New Haven and London: Yale University Press, 1998. xx, 364 pp. ISBN 0-300-07228-7 (hardcover).
The cover of Karl Grunsky's racist and anti-Semitic Kampf um deutsche Musik! (Stuttgart: Erhard Walther, 1933) provides an apt illustration of the title of Pamela Potter's study of German musicology, Most German of the Arts: a lyre, symbolising Music, is being pulled from a pool of muck and slime by the German Imperial flag. The idea of music being inherently German is an important theme of Potter's work, one she traces from Athanasius Kircher in the seventeenth ā¦
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Publication information:
Article title: Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich.
Contributors: McClatchie, Stephen - Author.
Journal title: Canadian University Music Review.
Volume: 20.
Issue: 1
Publication date: January 1, 1999.
Page number: 161+.
© Canadian University Music Society 1998.
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This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
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