"Somebody Somewhere Needs to Draw the Line": Deep Throat and the Regulation of Obscenity in Little Rock

By Nutt, Timothy G. | The Arkansas Historical Quarterly, Summer 2010 | Go to article overview

"Somebody Somewhere Needs to Draw the Line": Deep Throat and the Regulation of Obscenity in Little Rock


Nutt, Timothy G., The Arkansas Historical Quarterly


FOR NEARLY SEVENTY YEARS, the Little Rock Censor Board attempted to suppress literature, plays, films, and other forms of entertainment that it perceived as threats to the public's moral fiber. By the early 1970s, these threats included widely released pornographic movies, most notably Deep Throat. But that movie's very popularity suggested a shift in public attitudes that left the censor board ill-prepared to counteract a more blatantly sexual popular culture or continue to serve as the city's moral guardian.

The issue of obscenity and how to control it has a long history in Arkansas. In its first session after Arkansas became a state, the legislature adopted an obscenity law. The brief 1837 statute prohibited public nudity, and anyone "publicly exhibiting any obscene or indecent pictures or figures" would be deemed guilty of a misdemeanor.1 This first obscenity statute, however, had some flaws. It did not address the sale of obscene literature and, more importantly, did not define obscenity. Through the years, the Arkansas General Assembly amended the state's censorship laws to make the original statute more comprehensive. In 1883, the legislature remedied the omission in the 1837 law by making it illegal to sell or circulate obscene literature. Nearly five decades later, the legislature passed Act 155 of 1931, which made the possession of obscene materials a crime.2

But a legal definition of obscenity was a long time coming-at both the state and federal levels. In 1957, the United States Supreme Court, in Roth v. United States, found that a product was obscene if the "average person, applying contemporary community standards, [finds] the dominant theme taken as a whole appeals to the prurient interest."3 The Roth decision declared that materials that addressed sexual topics were not obscene if they displayed "redeeming social importance." Soon after the Roth decision, the Arkansas legislature passed an obscenity law incorporating the federal definition. In 1965, the publishers of the adult-oriented Gent Magazine, which had been found to be obscene in a Jefferson County chancery court, challenged that new law, Act 261 of 1961. Though the jury determined the magazine met the definition of obscenity, the appellants argued that the community standard aspect actually referred to national rather than local sensibilities.4 As expected, the Arkansas Supreme Court affirmed the chancery court decision and upheld the obscenity judgment.5

The U.S. Supreme Court redefined obscenity in its 1966 decision Memoirs v. Massachusetts, listing three benchmarks for material being considered obscene:

a) the dominant theme of the material taken as a whole appeals to a prurient interest in sex; b) the material is patently offensive because it affronts contemporary community standards relating to the description or representation of sexual matters; and c) the material is utterly without redeeming social value.6

One year after the Memoirs decision, the Arkansas legislature passed Act 411 of 1967, which made the distribution, exhibition, sale, and possession of obscene films a felony.7

Well before obscenity had been clearly defined, however, states and municipalities across the country had established bodies to regulate it. In fact, by 1950, censorship by some form of board affected at least 41 percent of all Americans.8 Maryland had one of the longest lived censor boards, operating from 1916 until 1981.9 Boston's Licensing Division, which oversaw public health and safety at entertainment venues, became the city's de facto censor board. Its director and lead censor, Richard Sinnott, was so influential in his fight against obscenity that the phrase "Banned in Boston" became synonymous with censorship.10

Regionally, the Memphis Board of Censors operated from 1911 to 1965. Its leader through most of these years, Lloyd T. Binford, proclaimed himself the "most notorious censor in the world" during a 1954 Associated Press interview and was infamous for his particularly harsh rulings. …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

"Somebody Somewhere Needs to Draw the Line": Deep Throat and the Regulation of Obscenity in Little Rock
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.