Nollywood at the Borders of History: Yoruba Travelling Theatre and Video Film Development in Nigeria
Olayiwola, Abiodun, The Journal of Pan African Studies (Online)
Abstract
The origin of video film genre in Nigeria is shrouded in conflicting views and contentions. Indigenous film historians and critics are yet to agree on who could be credited as the initiator of the video revolution in Nigeria. While some available documents trace this genre to Kenneth Nnebue's Living in Bondage produced in 1992, arguments at other quarters present the Yoruba filmmakers as the pioneers of the bourgeoning video film industry in Nigeria, and thus accuse others of subverting history in favor of their region. This paper, therefore, investigates the contributions of the Yoruba travelling theatre practitioners to the emergence of what is now known as the Nigerian ā¦
The rest of this article is only available to active members of Questia
Sign up now for a free, 1-day trial and receive full access to:
- Questia's entire collection
- Automatic bibliography creation
- More helpful research tools like notes, citations, and highlights
- Ad-free environment
Already a member? Log in now.
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Article title: Nollywood at the Borders of History: Yoruba Travelling Theatre and Video Film Development in Nigeria.
Contributors: Olayiwola, Abiodun - Author.
Journal title: The Journal of Pan African Studies (Online).
Volume: 4.
Issue: 5
Publication date: September 2011.
Page number: 183+.
© Itabari Zulu Dec 2008.
Provided by ProQuest LLC. All Rights Reserved.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
- Georgia
- Arial
- Times New Roman
- Verdana
- Courier/monospaced
Reset