Martha Graham

By Dalzell, Jenny | Dance Teacher, January 2013 | Go to article overview

Martha Graham


Dalzell, Jenny, Dance Teacher


American modern dance pioneer

One of the most influential choreographers of the 20th century, Martha Graham (1894-1991) helped lead the American modern dance revolution, breaking from the traditions of classical ballet as well as the romantic style of earlier modern dance pioneers. The Pennsylvania native came to dance relatively late: At 22 she began studying with Ruth St. Denis and Ted Shawn and joined the Denishawn dancers soon after. Graham formed her own performance troupe in 1926, and in order to train dancers for her work, she developed a codified technique. Her movement vocabulary stemmed from breathing: the changes in one's body from the actions of exhale (contraction) and inhale (release). Over time, she developed a series of complex floor-work exercises (also including falls and spirals) that evolved into what we know as Graham technique. - Jenny Dalzell

[Sidebar]

"I feel that the essence of dance is the expression of man - the landscape of his soul."

- Martha Graham, Blood Memory (1991)

Fun Facts:

* To help fund her burgeoning company. Graham taught a movement for actors class in Greenwich village. Students included Bette Davis, Gregory Peck and Orson Welles.

* Invited by Eleanor Roosevelt, Graham was the first dancer to perform at the White House-for President Franklin Roosevelt in 1937.

* Graham received a Dance Magazine Award in 1956 and the Presidential Medal of Freedom in 1976.

* Erick Hawkins was the first male dancer in Graham's company. They were married for two years.

VOCABULARY

* CONTRACTION: The percussive action of exhale; it's a curved lower spine and rounded pelvis-initiated from the pelvis.

* RELEASE: The action of inhale. Initiated with the pelvis, it's an extended lower back and elongated spine.

* INNER LANDSCAPE: "The soul of man." It was Graham's fundamental quest to express the human psyche.

The Work:

Capturing human emotion, desire and suffering, Graham's dramatic and often politically charged works draw inspiration from American life, ritual and Greek mythology. She often starred in her pieces and didn't retire from the stage until well into her 70s. Notable works include:

* Lamentation (1930): Perhaps Graham's most famous work, the grieving performer is constrained by a tube of fabric.

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