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American Theatre Companies, 1888-1930

By: Weldon B. Durham | Book details

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Page 126
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BIBLIOGRAPHY

Published Sources:

Chester Times, 1926-28.

Elmira Advertiser, 1917-18.

Germantown Telegraph, 1918-32.

Kensington Record, 1918-26.

New York Dramatic Mirror, 1917-19.

Philadelphia Inquirer, 1918-32.

Philadelphia North American, 1918-32.

Philadelphia Public Ledger, 1918-32.

Schenectady Gazette, 1917-19.

Scranton Republican, 1918.

Fielder Mari Kathleen. "Wooing a Local Audience: The Irish-American Appeal of Philadelphia's Mae Desmond Players." Theatre History Studies I ( 1981): 50-63.

Notable Women in the American Theatre. S.v. "Desmond, Mae," by Mari Kathleen Fielder .

Unpublished Sources:

Fielder Mari Kathleen. "Theatre and Community in Early Twentieth-Century Philadelphia: The Mae Desmond Players, 1917-1932." Ph.D. dissertation, University of California, Los Angeles, 1986.

-----. "Mae Desmond and Her Players: A Study of the Public Presentation of a Stock Company Actress, 1917-1929." Master's thesis, Ohio State University, 1976.

Archival Resources:

Los Angeles, California. Private collection of Mari Kathleen Fielder: selected scrapbooks, photographs, posters, correspondence, promptbooks, scripts, publicity releases, props, and costumes of the Mae Desmond Players; taped interviews with Mae Desmond, Frank Fielder, and George Callahan.

Philadelphia, Pennsylvania. Balch Institute for Ethnic Studies. Patrick J. Stanton file.

-----. Free Library of Philadelphia. Philadelphia Theatre Collection. Mae Desmond file, theatre files, Philadelphia Theatre index.

Mari Kathleen Fielder

DETROIT CIVIC THEATRE COMPANY. The Detroit Civic Theatre Company ( Detroit, Michigan), formerly the Bonstelle Playhouse Company ( 1925-28), was organized in the summer of 1928 by actress-manager Jessie Bonstelle. Her first effort as founder and managing director of the Detroit Civic Theatre, Shakespeare's A Midsummer Night's Dream (in cooperation with the Detroit Symphony Orchestra), played three performances at an open-air theatre, the Belle Isle Shell ( Detroit), July 23-25, 1928. Bonstelle returned with her company to the Detroit Civic Theatre (the Bonstelle Playhouse, 1925-28), a proscenium-equipped theatre at Woodward and Eliot completed in 1925 through renovation of Detroit's Temple Beth-El, and opened the 1928-29 season on September 5, 1928, with The Queen's Husband, a comedy by Robert E. Sherwood .

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