American Theatre Companies, 1888-1930

By Weldon B. Durham | Go to book overview
Save to active project

nagel ( 1920), Nora Huber ( 1923), Franz Kauer, Eduard Keppler, Fred Kessenich, Otto Kienscherf, Franz Kirchner ( 1908), Helene Koch, Marta Kolmar, Ludwig Koppee ( 1920), Ludwig Kreiss ( 1893), Theresa Kroll, Aendery Lebius, Antonie Leony, Heinz Lingen, Heinrich Loewenfeld ( 1893), Anna Lofink ( 1924), Camilla Marbach ( 1904), Victoria Markham ( 1890), Hans Marlow ( 1915), Frau Monnard-Dubois, Freddy Muschau ( 1926), Ludwig Nachbaur ( 1915), Franz Neumann, Elissa Nilasson, Lilly Nürnberger ( 1928), Theodor Pechtel ( 1890), Virginia Rautenberg, Alex Ritter, Victor Robert ( 1926), Anna Roitmayr ( 1893), Helene Rothe, Bruno Schlegel, Julius Schmidt, Lore Schubert, Robert Sonnenberg ( 1917), Gordon Strampfer, Magda Szecsy, Elizabeth Thiel, Traude Trentowna, Helene Türk ( 1915), Odil von der Lies, Hermann Werbke ( 1893), Lucie Westen, Paula Wirth, Rosa Wohlgemuth, Ella Wohlthaler, Karl Zander.


REPERTORY

Seasonal listings from 1890 to 1931, with some gaps, are available in Lulu Brodlow; see the bibliography.


BIBLIOGRAPHY

Published Sources:

Herold und Seebote ( Milwaukee, Wisconsin), 1899- 1912.

Milwaukee Journal, 1890- 1931

Milwaukee Sentinel, 1890- 1931

Wisconsin News, 1918-35.

Andressohn J. C. "Die literarische Geschichte des Milwaukeer Deutschen Bühenwesens, 1850-1911." German American Annals (New Series) 10 ( 1912): 78-88, 150-70.

Frenz Horst. "The Geman Drama in the Middle West." "American German Review 8", no. 5 ( 1942): 15-17, 37.

Unpublished Source:

Bredlow Lulu. "A History of the Geman Theater of Milwaukee, from 1850 to 1935". Master's thesis, Northwestern University, 1936.

Archival Resources:

Milwaukee, Wisconsin. Milwaukee County Historical Society. Theatre programs, MS outlines, and histories of the Pabst including Robert J. Blink, "The Birth of the Pabst Theater," and financial reports for 1912-13.

Glen W. Gadberry

[COMPAÑÍA JUAN B.] PADILLA. The Compañía Juan B. Padilla ( San Antonio, Texas), also known as the Compañía Dramática y de Zarzuela, was organized some time before June 12, 1913, by actor-manager Juan B. Padilla. He acquired a lease on the proscenium-equipped Teatro Zaragoza, newly built in San Antonio, Texas, in 1912 at 805 West Commerce Street. Proprietor Sam Lucchese had opened it sometime before June 12. Although the first documented performance was G. A. Rossini opera buffa, The Barber of Seville, the first dramatic performance occurred two nights later with the production of Malditassean las mujeres, (Damned be All Women)

-353-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
American Theatre Companies, 1888-1930
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 550

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?