American Theatre Companies, 1888-1930

By Weldon B. Durham | Go to book overview

The Athenian Women, The Devil's Glow, The Rib-Person, The Hermit and His Messiah, The Rope, Woman's Honor.

1918-19, at 133 Macdougal Street: The Princess Marries the Page, Where the Cross Is Made, Gee-Rusalem, The Moon of the Caribbees, The Rescue, Tickless Time, From Portland to Dover, 50-50, The Widow's Veil, The String of the Samisen, The Baby Carriage, The Squealer, A Peace that Passeth Understanding, Berniece.

1919-20, at 133 Macdougal Street: The Dreamy Kid, The Philosophy of Butter-Biggens, Three from the Earth, Getting Unmarried, Brothers, Aria da Capo, The Eldest, An Irish Triangle, Money, Vote the New Moon, Three Travelers Watch a Sunrise, Pie, Last, Masks, Kurzy of the Sea, Exorcism.

1920-21, at 133 Macdougal Street: Matinata, The Emperor Jones, What D'You Want, Diff' rent, The Spring, Love, Inheritors, Grotesques.

1921-22, at 133 Macdougal Street: The Verge, The Hand of the Potter, A Little Act of Justice, Footsteps, The Stick-up, The Hairy Ape, Chains of Dew.

The Experimental Theatre, Inc. (Triumvirate Control)

1923-24, at 133 Macdougal Street: The Spook Sonata, Fashion, George Dandin, The Ancient Mariner, All God's Chillun' Got Wings.

1924-25, at 133 Macdougal Street: The Crime in the Whistler Room, Patience, Beyond, The Triumph of the Egg, Michel Auclair, Ruint.

1924-25, at the Greenwich Village Theatre: The Saint, Desire under the Elms, Love for Love.

The Experimental Theatre, Inc. (Revitalized Provincetown Players)

1925-26, at 133 Macdougal Street: Adam Solitaire, The Man Who Never Died, The Dream Play, East Lynne, Orpheus.

1926-27, at 133 Macdougal Street: Princess Turandot, In Abraham's Bosom, Rapid Transit.

1926-27, at the Mayfair Theatre: La Finta Giardiniera.

1927-28, at 133 Macdougal Street: The Prisoner, Hot Pan, him.

1928-29, at 133 Macdougal Street: The Final Balance, The Earth Between.

1929-30, at the Garrick Theatre: Fiesta, Winter Bound.


BIBLIOGRAPHY

Published Sources:

Deutsch Helen, and Stella Hanau. The Provincetown. New York: Farrar and Rinehart, Inc., 1931.

Gelb Arthur, and Barbara Gelb. O'Neill. New York: Harper and Row, 1962.

Sarlos Robert Karoly. Jig Cook and the Provincetown Players: Theatre in Ferment. Amherst: University of Massachusetts Press, 1982.

Archival Resources:

Cambridge, Massachusetts. Harvard Univeristy. Houghton Library. Edna Kenton files, Provincetown Players, scrapbook, and John Reed collection.

Chapel Hill, North Carolina. Private Collection of Paul Green. Paul Green files.

Chicago, Illinois. Newberry Library. Floyd Dell Collection and Arthur Davison Ficke Collection.

Ithaca, New York. Cornell University Library. George Jean Nathan Collection.

New Haven, Connecticut. Yale University Library. Eugene O'Neill Collection.

-388-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
American Theatre Companies, 1888-1930
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface vii
  • A 1
  • Bibliography 4
  • Bibliography 8
  • Bibliography 13
  • Bibliography 22
  • Bibliography 24
  • Bibliography 27
  • Bibliography 31
  • Bibliography 36
  • Bibliography 38
  • Bibliography 40
  • B 41
  • Bibliography 51
  • Bibliography 55
  • Bibliography 61
  • Bibliography 63
  • Bibliography 68
  • Bibliography 72
  • C 73
  • Bibliography 80
  • Bibliography 86
  • Bibliography 90
  • Bibliography 94
  • Bibliography 97
  • D 99
  • Bibliography 103
  • Bibliography 111
  • Bibliography 118
  • Bibliography 126
  • Bibliography 134
  • Bibliography 140
  • Bibliography 145
  • Bibliography 150
  • Bibliography 152
  • Bibliography 158
  • E 159
  • F 165
  • Bibliography 168
  • Bibliography 171
  • Bibliography 177
  • G 179
  • Bibliography 181
  • Bibliography 183
  • Bibliography 188
  • Bibliography 190
  • Bibliography 194
  • Bibliography 197
  • Bibliography 203
  • H 205
  • Bibliography 208
  • Bibliography 210
  • Bibliography 212
  • Bibliography 220
  • Bibliography 225
  • Bibliography 227
  • Bibliography 231
  • I 233
  • PERSONNEL 237
  • J 239
  • Bibliography 241
  • Bibliography 243
  • K 245
  • Bibliography 247
  • L 249
  • Bibliography 253
  • Bibliography 260
  • Bibliography 262
  • Bibliography 268
  • Bibliography 276
  • M 277
  • Bibliography 280
  • Bibliography 283
  • Bibliography 284
  • Bibliography 289
  • Bibliography 293
  • Bibliography 297
  • Bibliography 300
  • Bibliography 306
  • Bibliography 309
  • N 311
  • Bibliography 317
  • Bibliography 322
  • Bibliography 325
  • Bibliography 329
  • Bibliography 332
  • Bibliography 338
  • O 341
  • Bibliography 346
  • Bibliography 348
  • P 349
  • Bibliography 353
  • Bibliography 358
  • Bibliography 363
  • Bibliography 367
  • Bibliography 370
  • Bibliography 377
  • Bibliography 388
  • Q 391
  • R 393
  • Bibliography 396
  • Bibliography 399
  • Bibliography 402
  • Bibliography 404
  • S 405
  • Bibliography 407
  • Bibliography 411
  • Bibliography 413
  • Bibliography 416
  • Bibliography 424
  • Bibliography 428
  • Bibliography 432
  • T 433
  • Bibliography 442
  • U 443
  • Bibliography 447
  • V 449
  • Bibliography 453
  • W 455
  • Bibliography 460
  • Bibliography 463
  • Bibliography 470
  • Bibliography 472
  • Bibliography 478
  • Bibliography 482
  • Bibliography 485
  • Bibliography 488
  • Y 489
  • Bibliography 492
  • APPENDIX I CHRONOLOGY OF THEATRE COMPANIES 493
  • APPENDIX II THEATRE COMPANIES BY STATE 497
  • Index of Personal Names and Play Titles 501
  • About the Contributors 535
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 550

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.