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Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts

By: Allienne R. Becker | Book details

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Page 178
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NOTES
1
The play was produced at the Théâtre Louis Jouvet (formerly the Comédie de Champs Elysées) and directed by Louis Jouvet; the sets and costumes were designed by Christian Bérard. Cocteau played the part of the Voice.
2.
My translation.
3.
Jacques Schérer, Dramaturgies d'Oédipe. Paris: Presses Universitaires de France, 1987, 175-77; Jacques Cocteau Brosse. Paris: Gallimard, 1970, 83-87; Germaine Brée, Twentieth- Century French Literature, trans. Louise Guinéa Chicago: University of Chicago Press, 1983, 243-44; Judith G. Miller, "Jean Cocteau and Hélène Cixous," in Drama, Sex, and Politics. Ed. James Redmond. Cambridge University Press, 1985, 204.

WORKS CITED

Attebery Brian. "Fantasy and the Narrative Transaction." State of the Fantastic. Ed. Nicholas Ruddick. Westport, Conn.: Greenwood Press, 1992. 15-28.

Barber Paul. Vampires, Burial, and Death: Folklore and Reality. New Haven: Yale Univ. Press, 1988.

Cocteau Jean. La Machine infernale. Paris: Grasset, 1934.

Hume Katherine. Fantasy and Mimesis: Responses to Reality in Western Literature. London: Methuen, 1984.

Jackson Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981.

Ruddick Nicholas. "Introduction: Learning to Resist the Wolf," in State of the Fantastic. Ed. Nicholas Ruddick. Westport, Conn.: Greenwood Press, 1992. xiii-xvi.

Sophocles. King Oedipus. Trans. E. F. Watling. Baltimore: Penguin Books, 1963.

Yarrow Ralph. "Ambiguity and the Supernatural in Cocteau's La machine infernale." in: Staging the Impossible Fantastic Mode in Modern Drama. Ed. Patrick D. Murphy. Westport, Conn.: Greenwood Press, 1992. 108-115.

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