The Critical Response to Andy Warhol

By Alan R. Pratt | Go to book overview

The Factory produced a total of over 900 Flowers in all sizes. "Friends come to the Factory and do the work with me. Sometimes there'll be as many as fifteen people in the afternoon, filling the colors and stretching the canvases" ( Andy Warhol, 1965). The canvases were stretched after printing on the standard-sized stretchers supplied by the art shop, so the size of the finished picture was determined not only by the size of the image, but also by the stretcher. As a result, images overlapped or were truncated (as in the Elvis series) or the borders of the canvases were left unprinted.


NOTES
69.
Quoted in: David Bourdon, "Andy Warhol", The Village Voice, Dec. 3, 1964.
70.
Quoted in: John Ashbery, "Andy Warhol Causes Fuss in Paris", International Herald Tribune, May 18, 1965.
71.
Quoted in: Robert Rosenblum, "Saint Andrew", Newsweek, Dec. 7, 1964, p. 72.

John Perreault, "Andy Warhol", Vogue, March 1970, pp. 65-206.

Andy Warhol's name is a household work like Ringo, Ultra Brite, or Raquel Welch. Andy Warhol is the most famous artist in America. For millions, Warhol is the artist personified. The ghostly complexion, the silver-white hair, the dark glasses, and the leather jacket combine to make a memorable image, especially in conjunction with sensational headlines: He was shot down by a manhating "Factory" hopeful the same week that Robert Kennedy was killed, but he survived to expose his scars in the pages of Esquire.

Everything Warhol does is news, by accident or design. He starts a travelling lightshow discotheque called The Exploding Plastic Inevitable. He sends a fake "Andy Warhol" on a lecture tour. He eats popcorn in someone else's film.

Some would maintain that Warhol's greatest art work is "Andy Warhol," created by the same perverse but partially illusionary passivity that generated the silk-screen paintings of Pop stars and soda-pop bottles, endlessly repeated, or the marvelous flower paintings, or the helium-filled floating silver pillows, or the cow wallpaper -- works that are classics and that, like the major works of Roy Lichtenstein and Claes Oldenburg, have changed the way we look at things.

-60-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Critical Response to Andy Warhol
Table of contents

Table of contents

  • Title Page iii
  • Contents ix
  • Series Foreword xiii
  • Preface xv
  • Notes xxv
  • CHRONOLOGY xxix
  • 1 - The Nineteen Sixties 1
  • 2 - The Nineteen Seventies 59
  • Notes 60
  • Notes 73
  • 3 The Nineteen Eighties 123
  • Notes 132
  • Notes 158
  • Notes 186
  • 4 - The Nineteen Nineties 239
  • Notes 247
  • Works Cited 248
  • Notes 259
  • Notes 265
  • Works Cited 267
  • Note 274
  • Works Cited 274
  • Notes 286
  • SELECTED BIBLIOGRAPHY 291
  • Index 297
  • About the Editor *
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 306

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.