To Promote, Defend, and Redeem: The Catholic Literary Revival and the Cultural Transformation of American Catholicism, 1920-1960

By Arnold Sparr ; Henry Warner Bowden | Go to book overview

6
The Search for the Great American Catholic Novel, I: Catholic Fiction to 1935

The novel "has a very definite and important role to play in the Catholic Literary Revival," wrote Georgetown University student James Albano early in 1936, but thus far, he continued, "its status is one of anticipation rather than achievement."1 Albano, himself an aspiring young writer, identified a problem that was to trouble the American Catholic literary movement from beginning to end. Catholics believed they possessed the message, but they were sadly aware that they lacked persuasive and talented messengers, especially in the area of popular culture where the Catholic voice could receive its largest audience. The search for The Great American Catholic Novel is thus an important episode in twentieth century American Catholic life because it confirms on the popular level trends and attitudes that were occurring at other levels of Catholic society. To wit, the search for The Great American Catholic Novel, like the literary revival of which it was a part, reveals the three central themes that shaped American Catholic intellectual and cultural life between 1920 and 1960: the need to promote, to defend, and to redeem. 2


THE NOVELS OF FRANK H. SPEARMAN, KATHLEEN THOMPSON NORRIS, AND LUCILLE PAPIN BORDEN

Given the American Church's minority status during the first third of the twentieth century, it comes as little surprise that the Catholic novel before 1935 exhibited the same defensiveness described by Paul R. Messbarger in his detailed study of nineteenth century American Catholic writers. In fact, the basic definition of Catholic fiction during this later era differed little from that of the previous century. In the opinion of

-85-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
To Promote, Defend, and Redeem: The Catholic Literary Revival and the Cultural Transformation of American Catholicism, 1920-1960
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 226

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.