HOW TO STUDY PICTURES

CHAPTER I
INTRODUCTION

"Having eyes, see ye not?"

THE world is full of beauty which many people hurry past or live in front of and do not see. There is also a world of beauty in pictures, but it escapes the notice of many, because, while they wish to see it, they do not know how.

The first necessity for the proper seeing of a picture is to try and see it through the eyes of the artist who painted it. This is not a usual method. Generally people look only through their own eyes, and like or dislike a picture according as it does or does not suit their particular fancy. These people will tell you: "Oh! I don't know anything about painting, but I know what I like"; which is their way of saying: "If I don't like it right off, I don't care to be bothered to like it at all."

Such an attitude of mind cuts one off from growth and development, for it is as much as to say: "I am very well satisfied with myself, and quite indifferent to the experiences and feelings of other men." Yet it is just this experience and feeling of another man which a picture gives us. If you consider a moment you will understand why. The world itself is a vast panorama, and

-3-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
How to Study Pictures
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • List of Illustrations ix
  • Author's Note xiii
  • I - Introduction 3
  • II - Cimabue -- Giotto 8
  • III - Masaccio -- Mantegna 20
  • IV - Fra Angelico -- Jan Van Eyck 37
  • V - Botticelli -- Memling 52
  • VI - Perogino -- Bellini 68
  • VII - Raphael -- Wolgemuth 85
  • VIII - Da Vinci -- DÜrer 109
  • IX - Titian -- Holbein the Younger 125
  • X - Correggio -- Michelangelo 142
  • XI - Veronese -- Tintoretto 159
  • XII - Rubens -- Velasquez 177
  • XIII - Van Dyck -- Frans Hals 195
  • XIV - Rembrandt -- Murillo 209
  • XV - Jacob van Ruisdael -- Poussin 228
  • XVI - Hobbema -- Claude Lorrain 242
  • XVII - Watteau -- Hogarth 255
  • XVIII - Reynolds -- Gainsborough 272
  • XIX - Constable -- Turner 287
  • XX - David -- Delacroix 304
  • XXI - Rousseau -- Corot 322
  • XXII - Breton -- Millet 339
  • XXIII - Courbet -- Boecklin 353
  • XXIV - Rossetti -- Holman Hunt 371
  • XXV - Piloty -- Fortuny 391
  • XXVI - Manet -- Israels 404
  • XXVII - Puvis de Chavannes -- GÉrÔme 423
  • XXVIII - Whistler -- Sargent 441
  • XXIX - Monet -- Hashimoto Gaho 457
  • Concluding Note 479
  • Parrallel Chronology of Painters Included *
  • A Brief Bibliography of Books On Art Readily Procurable 481
  • Glossary of Terms 484
  • Index 493
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 516

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.