CHAPTER VII
RAPHAEL SANZIO 1483-1520 Italian School of Umbria, Florence, and Rome
MICHAEL WOLGEMUTH 1434-1519 German School of Nuremberg

BY the beginning of the sixteenth century the Renaissance in Italy had ripened into a golden harvest. Leonardo da Vinci, Michelangelo, and Titian were in their prime, and within the long lives of these older men blossomed Raphael's comparatively. brief life of thirty-seven years.

My reason for introducing him into our story a little before his chronological place is that now I wish to bring into comparison with Italian art the contemporary art of Germany. It seemed necessary to couple Leonardo and Dürer; therefore I took advantage of the fact that although Leonardo was older than Raphael he survived him, in order to join the latter with Wolgemuth, who was Dürer's master. For it is in Dürer, and later in Hans Holbein the Younger, that German art in the sixteenth century reached so high a point. Yet we may well study Wolgemuth, the better to appreciate the greatness of Dürer and Holbein, and also because his work is characteristic of the general art of Germany before these two great masters.

How it differs from Raphael's! The difference is

-85-

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Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • List of Illustrations ix
  • Author's Note xiii
  • I - Introduction 3
  • II - Cimabue -- Giotto 8
  • III - Masaccio -- Mantegna 20
  • IV - Fra Angelico -- Jan Van Eyck 37
  • V - Botticelli -- Memling 52
  • VI - Perogino -- Bellini 68
  • VII - Raphael -- Wolgemuth 85
  • VIII - Da Vinci -- DÜrer 109
  • IX - Titian -- Holbein the Younger 125
  • X - Correggio -- Michelangelo 142
  • XI - Veronese -- Tintoretto 159
  • XII - Rubens -- Velasquez 177
  • XIII - Van Dyck -- Frans Hals 195
  • XIV - Rembrandt -- Murillo 209
  • XV - Jacob van Ruisdael -- Poussin 228
  • XVI - Hobbema -- Claude Lorrain 242
  • XVII - Watteau -- Hogarth 255
  • XVIII - Reynolds -- Gainsborough 272
  • XIX - Constable -- Turner 287
  • XX - David -- Delacroix 304
  • XXI - Rousseau -- Corot 322
  • XXII - Breton -- Millet 339
  • XXIII - Courbet -- Boecklin 353
  • XXIV - Rossetti -- Holman Hunt 371
  • XXV - Piloty -- Fortuny 391
  • XXVI - Manet -- Israels 404
  • XXVII - Puvis de Chavannes -- GÉrÔme 423
  • XXVIII - Whistler -- Sargent 441
  • XXIX - Monet -- Hashimoto Gaho 457
  • Concluding Note 479
  • Parrallel Chronology of Painters Included *
  • A Brief Bibliography of Books On Art Readily Procurable 481
  • Glossary of Terms 484
  • Index 493
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