Music of the Repressed Russian Avant-Garde, 1900-1929

By Larry Sitsky | Go to book overview
Op.9. Quatre romances for voice and piano
Eto li smert'?
Kak nezhish ty, serebryannaya noch'
Ogromnyi chernyi son
Khrustalnyi vozdukh
Op.20. Romance for voice and piano ( Lokhvitskiy)
Op.21. Deux peintures vocales for voice and piano
A la memoire de A. N. S.
Ballade
Op.34. Trois chansons for voice and piano
Op.38. Trois pieces, pour chant sans paroles et piano

Chamber
Op.11. Sonata No.1 for violin and piano ( 1913)
Op.18. String Quartet ( 1915)
Op.25. Poeme for violin and piano ( 1921)
Op.27. Prelude for string quartet, flute, and piano
Op.28. Prelude for string quartet, flute, and piano
Op.30. Deux pieces for violin and piano
Canzona
Melodie Hebraique
Op.32. Rhapsodie Hebraique for clarinet, string quartet and piano ( 1947)
Op.35. Poeme No.2 for violin and piano
Op.36. Trois pieces for cello and piano
Op.37. Suite for Instruments and piano
Op.41. Deux pieces for cello and piano
Prelude
Danse Hebraique
Sonata for violin and piano ( 1923)
Jewish Rhapsody ( 1926)
Piano Quartet

Orchestra
Op.13. Theater de miracles for small orchestra (incidental music to a play by Cervantes)
Op.26. Saul and David. Poeme symphonique
Op.31. Cortege for orchestra
Op.39. Ballade for violin and orchestra
2 Poemes for violin and orchestra ( 1922 and 1934)
Hebrew Rhapsody for clarinet and orchestra ( 1926)
2 Poemes ( 1928 and 1929)
Concerto for violin and orchestra ( 1934)
Lenin. 3 Symphonic Episodes ( 1937)
Concert-Fantasy for violin and orchestra ( 1939)
Symphony ( 1946)
Ballade ( 1947)
3 Concert Waltzes for violin and orchestra

BIBLIOGRAPHY

Cobbett W. W.: Cyclopedic Survey of Chamber Music. Oxford, 1929. 2nd edition, London, 1963 (article by L. Sabaneev).

Shirinskiy V.: "Zhivoe iskusstvo." SovMuz, 1 ( 1965):158-159.

-229-

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Music of the Repressed Russian Avant-Garde, 1900-1929
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface ix
  • Abbreviations xiii
  • Acknowledgments xv
  • 1 1
  • Bibliography 7
  • Part I - The Precursors 10
  • 2 - Vladimir I. Rebikov: The Inventor of Whole-Tone Music 10
  • Bibliography 25
  • 3: Aleksei V. Stanchinskiy 27
  • Part II - The Big Three 38
  • 4 - Nikolai A. Roslavets: The Russian Schoenberg 38
  • Bibliography 58
  • 5: Aleksandr V. Mosolov 60
  • 6: Arthur V. Lourié 87
  • Part III - The Smaller Five 111
  • 7 - Leonid A. Polovinkin: The Partial Avant-Gardist 111
  • Bibliography 132
  • 8 - Vladimir V. Shcherbachev: Old Wine in New Vessels 133
  • 9: Lev K. Knipper 149
  • 10: Boris N. Liatoshinski 158
  • 11 - Vladimir M. Deshevov: The Man of the Theater 171
  • Part IV - The Reluctant Avant-Gardists 183
  • 12 - Samuil E. Feinberg: The Post-Scriabin Pianist 183
  • Bibliography 198
  • 13: Anatoliy N. Aleksandrov 199
  • 14 - Boris A. Aleksandrov: Son of the Composer of the Soviet Anthem 216
  • Part V 217
  • 15: Aleksandr A. Krein 219
  • 16 - Grigoriy A. Krein: Toward Assimilation 225
  • Bibliography 229
  • 17 - Yulian G. Krein: Precocious Cosmopolitan 235
  • 18 - The Ukrainian Bartók and Bloch 241
  • 19: Mikhail F. Gnessin 242
  • Part VI 248
  • 20 248
  • 21: Nikolai Obukhov 254
  • 22: Iosif M. Schillinger 264
  • 23: Aleksandr N. Tcherepnine 273
  • Part VII 283
  • 24 283
  • 25: Leonid L. Sabaneev 291
  • 26 - Dmitriy M. Melkikh: Rhapsodist 309
  • 27: Gavrill N. Popov 310
  • 28: Aleksei S. Zhivotov 318
  • 29: Efim Golyshchev 323
  • 30 - Georgi M. Rimsky-Korsakov: Microtonist 328
  • Appendix: Further Scores for Study and Reference 329
  • Index 343
  • About the Author 349
  • Recent Titles in Contributions to the Study of Music and Dance 351
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