Music of the Repressed Russian Avant-Garde, 1900-1929

By Larry Sitsky | Go to book overview

Index
Abramsky, A., 241, 329 aetherophone, 3
Akhmatova, A., xi, 77, 90, 107, 108, 338, 339
Aleksandrov, A., 5, 36, 37, 40, 61, 85, 111, 183, 184, 198-213, 235
Aleksandrov, B., 214-216 anti-Semitism, 217, 220, 237, 242, 247
Arkhipov, Y., 329
Asafiev, B., 2, 5, 7, 20, 26, 37, 40, 53, 59, 75, 134, 147, 219, 247, 265, 289, 310, 311, 316, 317, 326
Association of Contemporary Music (ACM), 5-7, 40, 61, 71, 149, 173, 219, 292
asymmetry, 28-30, 35, 36, 125, 185, 288 atonality, 39, 101, 236, 254, 262, 274, 275
Avraamov, A., 3
Bach, J. S., 31, 103, 113, 184, 185, 197, 256, 313
Bal'mont, K., xi, 16, 24, 43, 131, 145, 167, 211, 223, 242, 257, 259- 262, 270, 331, 332, 339, 340
Bartók, B., 5, 13, 63, 69, 74, 113, 137, 178, 233, 236-238, 241
Belyaev, V., 6, 40, 44, 58, 62, 64, 74, 85, 136, 152, 157, 198, 204, 209, 213, 241, 266, 274, 282, 309, 316
Belyy, V., 59, 329 bitonality, 13, 205, 208
Blavatsky, H., xi
Bloch, E., 236-238
Blok, A., xi, 2, 39, 56, 60, 77, 79, 80, 83, 87, 94, 97, 105, 107, 108, 131, 135-139, 142, 144, 145, 147, 150, 154, 155, 172, 183, 197, 212, 223, 224, 280, 327, 332- 335, 337, 338, 341
Borodin, A., 1, 12, 152, 167, 197, 234, 278, 279, 300, 311
Busoni, F., 4, 20, 88, 149, 185, 256, 323 cadential gesture, 30, 113, 115, 190, 204, 205, 303 cadenza, 50, 103, 108, 109, 142, 185, 195, 197
Carillo, J., 249, 252, 253
Casals, P., 242
Casella, A., 4, 5, 74
Chemberdzi, N., 330
Chopin, F., 2, 18, 43, 88, 136, 161, 176, 184, 199, 261, 302, 304, 313
chromatic, 3, 15, 28, 31, 33, 35, 40, 42, 63, 65, 66, 68, 72, 74, 97, 99, 104, 113, 115, 120, 128, 138, 144, 178, 185, 186, 190, 195, 199, 200, 204, 205, 207, 208, 221, 226, 232, 249, 250, 256, 274, 291, 303, 313
collage, 72
constructivism, xi, 62, 63, 72
croix sonore, 254, 259-262

-343-

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Music of the Repressed Russian Avant-Garde, 1900-1929
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface ix
  • Abbreviations xiii
  • Acknowledgments xv
  • 1 1
  • Bibliography 7
  • Part I - The Precursors 10
  • 2 - Vladimir I. Rebikov: The Inventor of Whole-Tone Music 10
  • Bibliography 25
  • 3: Aleksei V. Stanchinskiy 27
  • Part II - The Big Three 38
  • 4 - Nikolai A. Roslavets: The Russian Schoenberg 38
  • Bibliography 58
  • 5: Aleksandr V. Mosolov 60
  • 6: Arthur V. Lourié 87
  • Part III - The Smaller Five 111
  • 7 - Leonid A. Polovinkin: The Partial Avant-Gardist 111
  • Bibliography 132
  • 8 - Vladimir V. Shcherbachev: Old Wine in New Vessels 133
  • 9: Lev K. Knipper 149
  • 10: Boris N. Liatoshinski 158
  • 11 - Vladimir M. Deshevov: The Man of the Theater 171
  • Part IV - The Reluctant Avant-Gardists 183
  • 12 - Samuil E. Feinberg: The Post-Scriabin Pianist 183
  • Bibliography 198
  • 13: Anatoliy N. Aleksandrov 199
  • 14 - Boris A. Aleksandrov: Son of the Composer of the Soviet Anthem 216
  • Part V 217
  • 15: Aleksandr A. Krein 219
  • 16 - Grigoriy A. Krein: Toward Assimilation 225
  • Bibliography 229
  • 17 - Yulian G. Krein: Precocious Cosmopolitan 235
  • 18 - The Ukrainian Bartók and Bloch 241
  • 19: Mikhail F. Gnessin 242
  • Part VI 248
  • 20 248
  • 21: Nikolai Obukhov 254
  • 22: Iosif M. Schillinger 264
  • 23: Aleksandr N. Tcherepnine 273
  • Part VII 283
  • 24 283
  • 25: Leonid L. Sabaneev 291
  • 26 - Dmitriy M. Melkikh: Rhapsodist 309
  • 27: Gavrill N. Popov 310
  • 28: Aleksei S. Zhivotov 318
  • 29: Efim Golyshchev 323
  • 30 - Georgi M. Rimsky-Korsakov: Microtonist 328
  • Appendix: Further Scores for Study and Reference 329
  • Index 343
  • About the Author 349
  • Recent Titles in Contributions to the Study of Music and Dance 351
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