Women Playwrights of Diversity: A Bio-Bibliographical Sourcebook

By Jane T. Peterson; Suzanne Bennett | Go to book overview

CASSANDRA MEDLEY

( 1949- )


BIOGRAPHY

Cassandra Medley, who is from Detroit, Michigan, attended the University of Michigan. She served as the literary manager for the American Place Theatre in New York City for five years. Medley taught a playwriting workshop for the Women's Studies Program at Barnard College and for the Montefiore Medical Center Residency Program. She initiated the Playwrights-in-Residence Program, a summer-long dramaturg intensive for individual playwrights at the Ensemble Studio Theatre National Theatre Conference and served as director for the program. Medley's continued association with the Ensemble Studio Theatre of New York includes teaching the Advanced Playwriting Laboratory during the year and an Advanced Playwriting Workshop for the Ensemble Theatre Conference every summer.

Cassandra Medley also teaches playwriting at Sarah Lawrence College and Columbia University. She has served as resident guest faculty with the University of Iowa Playwrights Workshop and is currently writing for television.


PLAY DESCRIPTIONS

Cassandra Medley's plays explore the nuances of human relationships with both humor and compassion. Her vibrant and colorful language contributes to the creation of compelling characters who successfully convey a type while retaining their distinct individuality. The monologue Ms. Mae features a seventy- two-year-old black woman at the beauty parlor who chats up the beautician. Ms. Mae relates the story of an attractive young woman on the subway who had her wig stolen right off her head during rush hour. The monologue is a unique mixture of comic image and humiliating pathos as the fashion plate is

-234-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Women Playwrights of Diversity: A Bio-Bibliographical Sourcebook
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface ix
  • Acknowledgments xiii
  • Abbreviations xv
  • Introduction: The Challenges of Diversity 1
  • The Sista Masses (1970s-1990s): African American Women Playwrights 7
  • Brave, Bold, and Poetic: The New Generation of Asian American Women Playwrights 13
  • Beyond the Festival Latino: (Re)Defining Latina Drama for the Mainstage 17
  • Lesbian Playwrights: Diverse Interests, Identities, and Styles 27
  • PLAYWRIGHTS 35
  • Rosanna Yamagiwa Alfaro 37
  • Claudia Allen 42
  • Lynne Alvarez 45
  • Jane Anderson 49
  • Valetta Anderson 53
  • Janis Astor Del Valle 56
  • Jeannie Barroga 59
  • Martha Boesing 63
  • Claire Chafee 69
  • Jane Chambers 72
  • Eugenie Chan 76
  • Denise ChÁvez 79
  • Theresa Chavez 83
  • Kitty Chen 87
  • Pearl Cleage 90
  • Kathleen Collins 94
  • Kia Corthron (1961- ) 97
  • Clare Coss 101
  • Migdalia Cruz 104
  • Linda Faigao-Hall 109
  • Evelina Fernandez (1954- ) 112
  • Five Lesbian Brothers (fl. 1989- ) 116
  • Maria Irene Fornes (1930- ) 120
  • J. E. Franklin 128
  • Terry Galloway 131
  • Terry Garner 135
  • P. J. Gibson 137
  • Gloria Gonzalez (1940- ) 142
  • Silvia Gonzalez S. (1958- ) 145
  • Judy Grahn (1940- ) 150
  • Jessica Hagedorn 153
  • Wendy Hammond 157
  • Kim Hines 160
  • Endesha Ida Mae Holland 163
  • Velina Hasu Houston 166
  • Holly Hughes 171
  • Naomi Iizuka 175
  • Marsha A. Jackson 178
  • Mercilee M. (lee) Jenkins 181
  • Julie Jensen 184
  • Michael Angel Johnson 188
  • Karen Jones-Meadows 191
  • June Jordan 194
  • Honour Kane 197
  • Adrienne Kennedy 201
  • Susan Kim 206
  • Tina Landau 209
  • Cherylene Lee 212
  • Lisa Loomer 216
  • Josefina LÓpez 220
  • Nikki Nojima Louis 223
  • Lynn Martin 226
  • Robbie Mccauley 230
  • Cassandra Medley 234
  • Marlane Meyer 238
  • Susan Miller (1944- ) 242
  • Chiori Miyagawa (1961- ) 246
  • CherrÍe Moraga (1952- ) 249
  • Lesli-Jo Morizono 254
  • Phyllis Nagy 256
  • Lynn Nottage 260
  • Madeleine Olnek 264
  • Monica Palacios 267
  • Suzan-Lori Parks 270
  • Estela Portillo-Trambley 276
  • Dolores Prida 279
  • Aishah Rahman (1937- ) 283
  • Sandra Rodgers (1956- ) 287
  • Kate Moira Ryan (1966- ) 290
  • Milcha Sanchez-Scott 293
  • Joan Schenkar 297
  • Ntozake Shange 302
  • Anna Deavere Smith 307
  • Beverly Smith-Dawson 312
  • Diana Son 316
  • Split Britches 318
  • Caridad Svich 323
  • Regina Taylor 327
  • Carmelita Tropicana 330
  • Alice Tuan 334
  • Edit Villarreal 337
  • Paula Vogel 340
  • Lucy Wang 345
  • Cheryl L. West 349
  • Elizabeth Wong 353
  • Charlayne Woodard 356
  • Marian 358
  • Wakako Yamauchi 362
  • Shay Youngblood 366
  • Appendix A Playwrights by Cultural/Ethnic Grouping 371
  • Appendix B Additional Playwrights 375
  • Appendix C Nominators--Theatres 377
  • Appendix D Nominators--Individuals 379
  • Selected Bibliography 381
  • Index 385
  • About the Authors 400
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 402

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.