Richard Crashaw: A Study in Style and Poetic Development

By Ruth C. Wallerstein | Go to book overview

INDEX
Alciati, Andrea, Emblems, 115, 117, 122, definition of emblem, 118.
Allegory, Use of, in emblem, Chap, 5.
Aristotle, on imagery, 64, 65, 69.
Bacon, Francis, 112.
Barclay, John Argenis, 52, 54.
Baroque style, 37, 57, 73, 140.
Barfield, Owen, Poetic Diction, 90n.
Bauhus, Bernard. Epigrammata, 62.
Beaumont, Joseph, 26, 31.
Bel-vedere or Garden of the Muses, 71.
Biderman, Jacob, Epigrammata, 62.
Book of Revelation, as source of imagery, 99.
Buchler, Joannes, Theasurus, 60, 61, 66-67, 71.
Cabillau, Baduin, Epigrammata, 99.
Cambridge, Pembroke College, 24, 27.
Cambridge, Peterhouse, 21, 28, 29.
" Car, Thomas". 32.
Carew, Thomas, 72.
Cartwright, William, 36, 49.
Charterhouse: Crashaw's education at, 18, 20.
Civil War, 31, 135.
Clark. D. L., 64, 70.
Classicism, 112.
Cosin, Bishop, 16, 17, 22, 29.
Counter-Reformation, Crashaw & the thought of, 112.
Cowley, Abraham, 24, 29, 32; Against Hope, 50, 51; Pindariques, 39.
Cramer, Daniel, Emblemata . . . , 122.
Crashaw, Richard,
Dates for poems, 34-35.
Education, 12, 16, 18-28.
English quality, 35.
Influence of arts on, 21, 29.
Influence of European literature on, 35.
Influence of translation on, 24, Chapter 4 passim, 114, 142.
Life, Chapter 2 passim.
Metre, 39-49, 78.
Musical interest, 21, 26, 29, 38, 39, 46, 48-9, 127, 142, 146.
Poems: Alexias, 110-111; Charitas Nimia, 54, 133, 134; Description of a Religious House, 52, 54; Dies Irae, 134, Easter Day, 110; Epigrams, Chapter 3 passim, 25, 73, 97, 103, 109, 110, 112, 113, 132, 138, 139, 142, Relation of English to Latin, 98, 109, influence of Marino on, 34, 97-98; Epithalamium, 131, 132; Fides quae sola . . . 24; For Hope, 50, 51, 54; His Epitaph, 130, 132; Hymne to the Name Above Every Name, 37, 38, 39, 40, 52, 54, 128, 134, 143, 145-6; Hymne of the Nativity, 10, 40, 50, 51, 52; in the Glorios Epiphany, 54, 131, 132, 143- 145, 146; Minor translations Barclay 52, Catullus, 24, Heliodorus, 70, 71, Vergil, 110, Martial, 110, Petronius, 110; O Gloriosa Domina, 133, 134, 142; Occasional poems, 26; Office of the Holy Crosse, 17, 140; On a foule Morning being then to take a journey, 130, 132, On a prayer booke, 50, 53; On a Treatise of Charity, 27, 51; On the bleeding wounds of our Lord, 25, 109, 123; On the Wounds of our Crucified Lord, 110; On the Frontispiece of Isaacsons Chronologie explained, 130, 132; Out of Grotius his Tragedy of Christes sufferings, 111, 132; Musicks Duell, 27, 37, 38, 127; Sancta Maria Dolorum, 53, 104, 105, 106, 107, 108, 121, 141, compared with Stabat Mater and with Marino's version, 104; St. Teresa Poems in general, 16, 52, 53, 143; The Flaming Heart, 10, 54, 133, 134, 146; A Hymne To-- Sainte Teresa, 133, 134, 146; Sospetto d'Herode, 10, 39, 73-84, 90-97, 104, 106, 110, 111, 120, 121, 139; The Teare, 74, 100, 103, 132, 134; To the Countess of Denbigh, 53, 54; Upon Bishop Andrewes, 24; To the Morning, 37; Upon the Death of Mr. Herrys, 26, 130, 132, 134; Upon the Duke of Yorke his birth, 130, 131, 132, 133, 134; Upon the Gunpowder treason, 129; Upon the King's Coronation, 129, 130; Upon two green apricockes, 133; Vexilla Regis, 53, 125; The Weeper, 56, 74, 99, 100, 103, 104, 128, 139; Wishes to his (supposed) Mistresse, 133, 134.
Religious ecstasy, 50, 51, 53, 54, 127, 135, 137, 138, 140, 146.
Scholasticism, 126.
Symbolism of Mass to . . . . 124.
Variations of style, 59, 123.
Crashaw, William, 18, 19, 21.
Dante, possible influence of on Marino's La Strage, 77, 79.
Digby, Sir Kenelm, 29, 32.
Dionysius Areopagita, 143, 145.
Donne, John, 80, 85, 102, 127, 137.
Domenichi, Lodovico, definition of impresa, 124.
Drummond of Hawthornden, 35, 87, 105n.
Elizabethan poetry, Influence on Crashaw, 36, 59, 73, 109, 111-112, 129.
Emblems, 9, 13, 34, Chap. 5, 138, 142.
Evans, Joan, Pattern, 115, 116, 118, 119, 122, 123, 125.
Fable, Use of in emblem, Chap. 5.
Ferrar, Nicholas, 20, 21, 22, 27, 30.
Figures of speech: Metaphor, 64-72, 82, 88- 89; Donne's use of compared with Crashaw's, 80, 85; Crashaw's use of in Sospetto, 80-85, 86; compared with symbol, 84-85; Simile, 54, 64, 69; Influence of Song of Songs on, 100; Common stock of, in seventeenth century, 86-87; See also symbolism.
Fletcher, Certain very proper & most profitable similes, 71.
Fondanus, M., Phrases Poeticae sev Silvae Poeticarum Locvtionum Vberimae, 72
Foxe, John, Book of Martyrs, 22.

-159-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Richard Crashaw: A Study in Style and Poetic Development
Table of contents

Table of contents

  • Title Page *
  • Contents 5
  • Preface 7
  • Chapter I Introductory 9
  • Chapter II Crashaw's Life and Inner Growth 16
  • Chapter III School-Work: the Latin Epigram and the Pattern of the Rhetorics 56
  • Chapter IV the Translations 73
  • Chapter V Emblem and Impresa: the Maturing of Crashaw's Imagery 114
  • Chapter VI Style and Spirit Fused 136
  • Bibliography 148
  • Index 159
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 160

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.