Arms and the Woman: War, Gender, and Literary Representation

By Helen M. Cooper; Adrienne Auslander Munich et al. | Go to book overview
Save to active project


I would like to thank Helen Cooper, Adrienne Munich, and Susan Squier for their many helpful critical responses to earlier versions of this paper; Frances Ferguson, whose essay "The Nuclear Sublime," provided its inspiration; and Gillian Brown, for her friendship.

This essay, a meditation on the politics (and "ends") of humanism, particularly in relation to Heidegger's concept of Dasein ("human reality"), has no ostensible relation to the topic of nuclear war. Nonetheless its emphasis on "the human" makes it an interesting precursor to Derrida's "No Apocalypse, Not Now," cited below.
Derrida, "No Apocalypse, Not Now,"22.
Osmanczyk, "UNESCO Constitution,"827.
Cixous, "Sorties,"63-64.
Jardine, "Death Sentences,"120.
Scarry, The Body in Pain, 87-88.
Caldicott, Missile Envy, 316. All subsequent references are to this edition and are given parenthetically within the text.
Koen and Swaim, Aint No Where We Can Run, 1.
Nottingham WONT, "Working as a Group,"23.
Virilio and Lotringer, Pure War, 110.
Klein, "Diacritics Colloquium on Nuclear Criticism,"2.
The phrase is Ronell's. See Dictations: On Haunted Writing, xv.
I am responding in part to Derrida's suggestion that the epoch of the book and that of theology and divinity are intimately bound up with one another. In Of Grammatology, for example, he argues that "the sign and divinity have the same place and time of birth. The age of the sign is essentially theological. Perhaps it will never end. Its historical closure is, however, outlined." See Derrida, Of Grammatology, 14. The interested reader might also see Derrida's persuasive remarks on the relationship between fiction, rhetoric, and nuclear weaponry in "No Apocalypse, Not Now," cited earlier.
For Derrida's reading of the "apocalyptic tone" put forward by the Book of Revelation, especially as pertaining to the metaphysics of postal systems, see "Of an Apocalyptic Tone,"3-37.
David Dowling's Fictions of Nuclear Disaster, a comprehensive study of fictional treatments of the bomb, also remarks upon the similarities between the Book of Revelation and a nuclear explosion. His discussion, however, focuses only on their shared thematics, emphasizing common patterns of imagery: Dowling does not investigate the possibility of a structural affinity. Perhaps for this reason he does not notice that a book serves the function of a bomb in the Book of Revelation, and he takes it for granted that fiction acts as a deterrent to the bomb's use: "Fictions of nuclear disaster . . . call on the power of the word to de-fuse the power of the


Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Cite this page

Cited page

Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
Arms and the Woman: War, Gender, and Literary Representation


Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 348

matching results for page

Cited passage

Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?