The Awakening, and Other Stories

By Kate Chopin; Pamela Knights | Go to book overview
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ELIZABETH STOCK'S ONE STORY

Elizabeth Stock, an unmarried woman of thirty-eight, died of consumption during the past winter at the St. Louis City Hospital. There were no unusually pathetic features attending her death. The physicians say she showed hope of rallying till placed in the incurable ward, when all courage seemed to leave her, and she relapsed into a silence that remained unbroken till the end.

In Stonelift, the village where Elizabeth Stock was born and raised, and where I happen to be sojourning this summer, they say she was much given over to scribbling. I was permitted to examine her desk, which was quite filled with scraps and bits of writing in bad prose and impossible verse. In the whole conglomerate mass, I discovered but the following pages which bore any semblance to a connected or consecutive narration.

Since I was a girl I always felt as if I would like to write stories. I never had that ambition to shine or make a name; first place because I knew what time and labor it meant to acquire a literary style. Second place, because whenever I wanted to write a story I never could think of a plot. Once I wrote about old Si Shepard that got lost in the woods and never came back, and when I showed it to Uncle William he said:

"Why, Elizabeth, I reckon you better stick to your dress making: this here aint no story; everybody knows about old Si Shepard."

No, the trouble was with plots. Whenever I tried to think of one, it always turned out to be something that some one else had thought about before me. But here back awhile, I heard of great inducements offered for an acceptable story, and I said to myself:

" Elizabeth Stock, this is your chance. Now or never!" And I laid awake most a whole week; and walked about days in a kind of dream, turning and twisting things in my mind just like I often saw old ladies twisting quilt patches around to compose a design. I tried to think of a railroad story with a wreck, but couldn't. No more could I make a tale out of a murder, or money getting stolen, or even mistaken identity; for the story had to be original, entertaining, full of action and Goodness knows what all. It was no use. I gave it up. But

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