Shakespeare at the Globe, 1599-1609

By Bernard Beckerman | Go to book overview
Save to active project

APPENDIX C
i. Disguise
Play1
CharacterDressMannerVoiceFace
As You Like itRosalindII, iv, 4-8I, iii, 122-124
III, ii, 313-315
Twelfth NightViolaI, iv, s.d.I, v, 177-236I, iv, 29-34
Twelfth NightFesteIV, ii, 1IV, ii, 22-23IV, ii, 71-72IV, ii, 2
Measure for MeasureDukeI, iii, 45-48I, iii, 45-48
II, iii, 1-42
CoriolanusCoriolanusIV, iv, s.d.
IV, v, 59 ff.
PericlesPericlesII, ii, 48-52
PericlesThaisa2V, iii, 13-15
Julius CaesarLucilius2
Merry Wives of WindsorFord4II, ii (?)
Merry Wives of WindsorFalstaffIV, ii, 190 ff.
Merry Wives of WindsorChildren, EvansV, iv, 49-52
V, v
OthelloRoderigoI, ii, 346 (?)
King LearKentI, iv, 1-4II, ii, 1-180I, iv, 1 f.
King LearEdgar (Poor Tom)II, iii, 10
III, iv, 66
II, iii, 9-20
III, iv
II, iii, 14-20II, iii, 9 (?)
King LearEdgar (Peasant)IV, i, 40-44IV, viIV, vi, 7 f., 45 ff.
King LearEdgar (Cornishman)IV, vi, 235-251
King LearEdgar (Champion)V, iii, 117, 142
Devil's CharaterCandie, CaesarF3v
Merry Devil of EdmontonRaymond as FriarD2r
London ProdigalOld FlowerdaleA2rA2rG4r18-20
London ProdigalLuceF1vF1vF1v
CromwellHodge, BedfordC4v 26-D1v 27C4v 26-D1v 27
Miseries of Enforced MarriageJohn, Thomas
Fair Maid of BristowHarbartB1v 28-2v 16B1v 28-2v 16
Fair Maid of BristowChallenerB1v
Fair Maid of BristowSentloeE3r 20E3r-v
Fair Maid of BristowAnabellE4v(?)
VolponeVolpone (Scoto)II, ivII, iv, 30-36
VolponeVolpone (sick)I, iii-v
III, iii-v, vii, ix
IV, vi
VolponeVolpone (Commandant)V, iii
VolponePeregrineV, iv, 1
Revenger's TragedyVindiceI, iI, i
1 The Malcontent is not included in this list although its plot is based completely upon a disguise. In this play the basic dis-
guise is manner (see I, i). Malevole and Celso converse about the former's loss of his dukedom (213-255). On the entrance of
Bilioso, however, "Malevole shifteth his speech," that is, he adopts his satiric manner. This treatment of disguise is similar
to that in The Revenger's Tragedy.
2 Time here helps to disguise Thaisa.
3 Lucilius claims to be Brutus, but he is immediately recognized.
4 Ford may have a change of clothing, particularly that Falstaff sees him at his house in IV, ii, and Ford visits
him again in V, i.

-226-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
Shakespeare at the Globe, 1599-1609
Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 254

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?