CRITICISM

Criticism must always profess an end in view, which roughly speaking, appears to be the elucidation of works of art and the correction of taste. The critic's task, therefore, appears to be quite clearly cut out for him; and it ought to be comparatively easy to decide whether he performs it satisfactorily, and in general, what kinds of criticism are useful and what are otiose. But on giving the matter a little attention, we perceive that criticism, far from being a simple and orderly field of beneficent activity, from which impostors can be readily ejected, is no better than a Sunday park of contending and contentious orators, who have not even arrived at the articulation of their differences. Here, one would suppose, was a place for quiet co-operative labour. The critic, one would suppose, if he is to justify his existence, should endeavour to discipline his personal prejudices and cranks--tares to which we are all subject --and compose his differences with as many of his fellows as possible, in the common pursuit of true judgement. When we find that quite the contrary prevails, we begin to suspect that the critic owes his livelihood to the violence and extremity of his oppo

-13-

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Table of contents

Table of contents

  • Title Page 3
  • Note 5
  • Select Bibliography Of Prose Writings 6
  • Contents 7
  • Part 1 - Literary Criticism 9
  • The Function of Criticism 11
  • Criticism 13
  • The Experience of Literature 17
  • Tradition 21
  • Tradition and the Individual Talent 23
  • Poetry and Philosophy 35
  • Romantic" and "Classic 40
  • Journalism and Literature 42
  • The Appreciation of Poetry 46
  • The Critic of Poetry 48
  • "Difficult" Poetry 50
  • Poetic Imagery 53
  • Metrical Innovation 54
  • Auditory Imagination 55
  • Part 2 - Dramatic Criticism 57
  • Poetic Drama 59
  • Greek Drama 61
  • The Pattern of Shakespeare 62
  • The Unity of Shakespeare 63
  • Ben Jonson 66
  • Middleton's "Changeling" 67
  • Part 3 - Individual Authors 69
  • Dissociation of Sensibility 71
  • Marvell 73
  • Blake 76
  • Coleridge 81
  • Wordsworth 83
  • Arnold 85
  • Walter Pater and "Marius The Epicurean" 88
  • Tennyson 93
  • Thomas Hardy 94
  • The PensÉes of Pascal 96
  • Baudelaire 116
  • Part 4 - Religion and Society 127
  • Christianity and Society 129
  • Christian" or "Pagan 131
  • War 133
  • Private Religions 134
  • The Reformation of Society 135
  • The Strait Gate 137
  • A Christian Community 138
  • Society and the Arts 142
  • Religion and Literature 145
  • Church and State 147
  • Conformity to Nature 151
  • Modern Education 154
  • The Decay of the Music-Hall 157
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