It would appear that the revolution effected by Wordsworth was very far-reaching indeed. He was not the first poet to present himself as the inspired prophet, nor indeed is this quite Wordsworth's case. Blake may have pretended, and with some claim, to have penetrated mysteries of heaven and hell, but no claim that Blake might make seems to descend upon the "poet" in general; Blake simply had the visions, and made use of poetry to set them forth. Scott, and Byron in his more popular works, were merely society entertainers. Wordsworth is really the first, in the unsettled state of affairs in his time, to annex new authority for the poet, to meddle with social affairs, and to offer a new kind of religious sentiment which it seemed the peculiar prerogative of the poet to interpret. Since Matthew Arnold made his Selections from Wordsworth's poetry, it has become a commonplace to observe that Wordsworth's true greatness as poet is independent of his opinions, of his theory of diction or of his nature-philosophy, and that it is found in poems in which he has no ulterior motive whatever. I am not sure that this critical eclecticism cannot go too far; that we can judge and


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