Programme Music in the Last Four Centuries: A Contribution to the History of Musical Expression

By Frederick Niecks | Go to book overview

INDEX.
[A consistent system of writing proper names is impossible where many nationalities are concerned. Slavonic names give much trouble--especially the Russian--owing to the different ways of transliteration to be found in different countries. The familiar spelling of some well-known composers has here and there been preferred to the correct--for instance, Dussek and Tomaschek.]
Abert, Johann Joseph, 470-471
Absolute music, Pref. i.-ii., 2, 49, 222, 278, 281, 332, 350, 369, 447, 460, 514, 533
Accompaniments, 16, 47, 51-55, 56, 69-70, 210, 348
Addison, Joseph, 52
Æschylus, 466
Aëtius, 304
Agoult, Comtesse d' (nom de guerre, Daniel Stern), 274
Agricola, Johann Friedrich, 65
Alfieri, Vittorio, 370
Algarotti, Count Francesco, 111
Ambros, August Wilhelm, 12, 21, 144, 227, 313, 316
Amenda, Pastor, 131
Andersen, Hans Christian, 392
Angelo, Michael, v. Michael Angelo.
Anglebert, Jean Henri D', 31
Arban, Joseph Jean Baptiste Laurent, 351
Aristotle, 503
Aspelmeier (Aspelmayr, &c., and also Appelmayr, &c.), Franz, 84
Auber, Daniel Francois Esprit, 154
Bach, Carl Philipp Emanuel, 71-73
Bach, Johann Sebastian, 22, 41, 55-58, 60, 236, 267, 355, 359, 411, 471, 481, 525, 536
Balakirev, Mily Alexeivitch, 413, 415, 419, 420, 431, 435
Ballanche, Pierre Simon, 271, 272
Ballet, 118, 366, 368
Banchieri, Adriano, 9
Bantock, Granville, 388-389
Bargheer, Carl Louis, 453
Bargiel, Woldemar, 464
Batioushkov, Constantine Nikolaievich, 430
Batthyanyi, Count Louis, 291
Baudelaire, Charles, 367
Baudron, Antoine Laurence, 84
Bazzini, Antonio, 370
Beauty in art, 252, 289-290, 312, 512, 513, 536, 537
Becker, Carl Ferdinand, 9
Beer, Michael, 163
Beethoven, Ludwig van, 6, 16, 85, 86, 93, 94, 96, 97, 98, 104, 107, 109, 113-137 [Works with declared programmes, 114-129, Battle Symphony, 115, Sonate Pathétique, 116; Sonata Op. 81, 116-117; String Quartet Op. 135, 117-118; Prometheus and Zur Namensfeier, 118; Leonore and Fidelio Overtures, 119; Coriolanus, 119-120; Egmont, 120-121; Fidelio Opera, 122; Sinfonia Eroica, 122; Pastoral Symphony, 123 - 127; Knecht and Beethoven, 127-128; Choral Symphony, 128-129; evidence as to programmes for sonatas, 130-132; opinions of Wagner, Marx, Tchaikovsky, Rubinstein, &c., on the expressiveness of Beethoven's music, 133-135; form, 135-137], 138, 145, 147, 160, 164, 167, 184, 186, 228, 232, 233, 234, 236, 242, 244, 264, 266, 267, 275, 277, 281, 314, 318, 323, 324, 325, 326, 327, 328, 332, 341, 351, 356, 359, 375, 379, 380, 396, 405, 411, 412, 426, 427, 437, 438, 453, 455, 456, 461, 469, 472, 476, 481, 488, 506, 518, 525, 527, 535, 536
Bègue, Nicolas Antoine Le, 3]
Bell, William H., 389
Bellini, Vincenzo, 332, 462
Benda, Georg, 84, 85, Benda, the brothers, 401

-539-

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