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Igor Stravinsky

By: Edwin Corle | Book details

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Page 179
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12
SAMUEL DUSHKIN

1949 Working with Stravinsky

I.

One evening in Paris in 1930 my publisher and friend, Willy Strecker, the head of the music publishing house of Schott & Sons, and I were discussing contemporary music in general and contemporary violin music in particular. Both of us felt that if Stravinsky could be induced to compose a concerto for violin and orchestra, a very important contribution to violin music would be achieved. We decided to

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