Black Culture and the Harlem Renaissance

By Cary D. Wintz | Go to book overview

Index
Abrahams, Peter, 229
Accommodationist: Du Bois against such policies, 43-44; views in literature, 53, 57-58, 61-62; Washington as, 37-38, 40
Afro-American Council, 41
Agitation (See Militancy)
Alexander, William T., 33-34
Anderson, Charles W., 66, 103
Anti-Bookerites, 39-44
Anti-semitism, 9
Armstrong, Samuel Chapman, 36, 38
Art: critics' view of, 130, 136, literature for the sake of, 113-14, 119, 124-25, 191, 198; as solution to race problem, 105; valued for propaganda potential, 149, 198
Atlanta, GA, riot, 8
Authors: determination to pick subject matter, 172; their major works published during Renaissance, by year, 164-65; relationship with their editors, 172; relationship with their patrons, 177-87
The Autobiography of an Ex-Colored Man, 66-68, 155, 162, 166-67
Awards, funded by whites, 178-79
Baldwin, James, 2, 217
Battle of San Juan Hill, 7
Bennett, Gwendolyn, 83
Black Manhattan, 23, 247
Bohemian lifestyle, 87-101
Bontemps, Arna, 83-89; major work of Renaissance, 165; writings after Renaissance, 218-19
The Book of American Negro Poetry, 105, 110
Book Lover's Club, 148
Books, major, published during Renaissance, 164-65
Boston riot, 41
Braithwaite, William Stanley, 63, 69, 79; Brawley's view of, 137; helping J. W. Johnson get published, 155; view of Renaissance, 130-35, 139
Brawley, Benjamin, 1, 3, 85, 100; view of Renaissance, 130, 135-40
Broadway shows, featuring blacks, 94
Broom, 78
Brown, Sterling, 2, 124, 165; writings after Renaissance, 218
Bruce, Richard, 83
Bryant, Louise, 179
Businesses, black-owned, in Harlem, 25-27
Buttitta, Anthony J., 169-71, 172
Cabarets, Harlem, 91-94
Campbell, James Edwin, 61
Cane, 2, 75, 79; Braithwaite's view of, 132
Carmichael, Waverly T., 62
Carroll, Charles, 10
Chamberlain, Houston Stewart, 9
Chapman, Abraham, 1
Cheney, Ralph, 167
Chesnutt, Charles W., 48, 55-61, 67, 144
"City of Refuge," 22
Civic Club dinner, 81, 85-87, 122, 208

-269-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Black Culture and the Harlem Renaissance
Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 278

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.