Critical Ideas in Television Studies

By John Corner | Go to book overview

References

ABERCROMBIE N. ( 1990), "'The Privilege of the Producer'", in R. Keat and N. Abercrombie (eds.), Enterprise Culture ( London: Routledge), 171-85.

ADORNO T. ( 1991), The Culture Industry. Selected Essays on Mass Culture, ed. J. Bernstein ( London: Routledge).

ALLEN R. ( 1995) (ed.), To Be Continued: Soap Opera Around the World ( London: Routledge).

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ALTMAN R. ( 1986), "Television, Sound'", in T. Modleski (ed.), Studies in Entertainment ( Bloomington and Indianapolis, Ind.: Indiana University Press), 39-54.

ALVARADO M., and BUSCOMBE E. ( 1978), Hazell: The Making of a TV Series ( London: British Film Institute).

ANDERS G. ( 1956), "'The Phantom World of TV'", Dissent, 3: 15-24.

ANDERSON A. ( 1997), Media, Culture and the Environment ( London: University College Press).

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BARKER M., and PETLEY J. ( 1997) (eds.), Ill Effects ( London: Routledge).

BARTHES R. ( 1975), The Pleasure of the Text ( New York: Hill and Wang).

----- ( 1977), "'The Rhetoric of the Image'", in Image-Music-Text, trans. S. Heath ( London: Fontana), 32-51.

BAUDRILLARD J. ( 1988), Selected Writings ( Cambridge: Polity).

BAZIN A. ( 1967), "'The Ontology of the Photographic Image'", in What is Cinema?, i, trans. H. Gray ( Berkeley and Los Angeles: University of California Press).

BENJAMIN W. ( 1973), Illuminations ( London: Fontana).

BERNSTEIN B. ( 1971), Class, Codes and Control, i ( London: Routledge).

BODDY W. ( 1990), Fifties Television: The Industry and its Critics ( Urbana, Ill.: University of Illinois Press).

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BORDWELL D., and THOMPSON K. ( 1990), Film Art: An Introduction, 3rd edn. ( New York: McGraw-Hill).

BORN G. (forthcoming), "'Quality in Television'", Media Culture and Society.

BRANIGAN E. ( 1992), Narrative Comprehension and Film ( London: Routledge).

BRIGGS A. ( 1995), The History of British Broadcasting in the United Kingdom, v. Competition 1955-1974 ( Oxford: Oxford University Press).

BROWNE N. ( 1984), "'The Political Economy of the TV (Super) Text'", Quarterly Review of Film Studies, 9: 174-82.

BRUNSDON C. ( 1981), "'Crossroads: Notes on Soap Opera'", Screen, 22. 4: 32-7.

----- ( 1990), "'Problems with Quality'", Screen, 31. 1: 77-90.

----- ( 1993), "'Identity in Feminist Television Criticism'", Media, Culture and Society, 15. 2: 309-20.

----- ( 1995), "'The Role of Soap Operas in the Development of Feminist Television Scholarship'", in R. Allen (ed.), To Be Continued ( London: Routledge), 49-65.

----- ( 1997), "'What is the Television of Television Studies?'", in D. Lusted and C. Geraghty (eds.), The Television Studies Book ( London: Arnold), 95-113.

----- and MORLEY D. ( 1978), Everyday Television: 'Nationwide' ( London: British Film Institute).

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