The Need to Give: The Patron and the Arts

By Andrew Sinclair | Go to book overview

3
Giving to God and Self

WHEN GIVING to the church that bound together their lives, patron and craftsman gave their services to God. As the illuminators of manuscripts at Durham were told in a sermon:

The pen, divided in two that it may be fit for writing, is the love of God and our neighbour . . . The ink with which we write is humility itself . . . The diverse colours with which the book is illuminated not unworthily represent the multiple grace of heavenly Wisdom . . . The desk whereon we write is tranquillity of heart . . . The copy by which we write is the life of our Redeemer . . . The place where we write is contempt of worldly things.

Most art was applied art, as Huizinga pointed out in The Waning of the Middle Ages. The beauty of objects was less a consideration than their use, sacred or profane. 'Their purpose and their meaning always preponderated over their purely aesthetic value.' So the artist was not distinguished from the craftsman, for he rarely signed his work, but gave it to his patron, to his religion or to both of them. One of the more interesting combinations of local craftsman and travelled patron can be seen in the Bishop's Chapel at Hereford, an intended copy of Charlemagne's chapel at Aachen which William of Malmesbury attributed to Bishop Robert of Lorraine. But the Hereford mason who constructed the chapel was evidently trained in the ways of the Anglo-Romanesque style. So his brief resulted in an exquisite hybrid of Germanic inspiration with Norman and English interpretation. Robert of Lorraine himself was a rare cosmopolitan and savant of his time, bringing mathematics and astronomy

-29-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Need to Give: The Patron and the Arts
Table of contents

Table of contents

  • Title Page iii
  • Dedication v
  • Acknowledgements vi
  • Chapters *
  • I - The First Patron 1
  • 2 - Destroyers and Preservers 15
  • 3 - Giving to God and Self 29
  • 4 - The Artist, the Patron and the Slave 46
  • 5 - A Sort of Economic Man 58
  • 6 - The Tree of Life, the Tree of Death 75
  • 7 - Its Own Natural Qualities 91
  • 8 - The War to End All Art 106
  • 9 - The Three Cultures 121
  • 10 - The Revolution That Never Could Be 135
  • 11 - The Patrons and the Arts 152
  • 12 - The Patrons of the Message 170
  • Endpiece - We, the Patrons . . . 188
  • Notes 193
  • Index 203
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 210

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.