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Shakespeare's Universal Wolf: Studies in Early Modern Reification

By: Hugh L. Grady | Book details

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Bibliography

ADAMS HOWARD C., "What Cressid Is", in Carole Levin and Karen Robertson (eds.), Sexuality and Politics in Renaissance Drama, Studies in Renaissance Literature, 10 ( Lewiston, NY: Edwin Mellen, 1991), 75-93.

ADAMSON JANE, "Othello' as Tragedy: Some Problems of Judgment and Feeling" ( Cambridge: Cambridge University Press, 1980).

ADORNO THEODOR, Aesthetic Theory, trans. C. Lenhardt ( Boston: Routledge, 1984).

----- Minima Moralia, trans. E. F. N. Jephcott ( London: New Left Books, 1974).

----- Negative Dialectics, trans. E. B. Ashton ( New York: Continuum, 1983).

----- Prisms: Cultural Criticism and Society, trans. Samuel and Shierry Weber ( London: Neville Spearman, 1967).

----- "Theses upon Art and Religion Today", Kenyon Review, 7 (Autumn 1945), 676-82.

ALTHUSSER LOUIS, Essays in Self-Criticism, trans. Grahame Lock ( London: New Left Books, 1976).

----- For Marx, trans. Ben Brewster ( London: New Left Books, 1977).

----- "Ideology and Ideological State Apparatuses: Notes towards an Investigation", in Louis Althusser, Lenin and Philosophy and Other Essays ( New York: Monthly Review Press, 1971), 127-86.

----- Reading Capital, with Etienne Balibar, trans. Ben Brewster ( London: Verso, 1979).

ANDERSON PERRY, Lineages of the Absolutist State ( London: New Left Books, 1974).

ARAC JONATHAN (ed.), Postmodernism and Politics ( Minneapolis: University of Minnesota Press, 1986).

BARBER C. L., Shakespeare's Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom ( 1959; repr. Cleveland, Oh.: Meridian, 1963).

BARKER FRANCIS, The Tremulous Private Body: Essays on Subjection ( London: Methuen, 1984).

BARFOOT C. C., 'Troilus and Cressida: "Praise us as we are Tasted", Shakespeare Quarterly, 39 (Spring 1988), 45-57.

BARTELS EMILY, "Making More of the Moor: Aaron, Othello, and Renaissance Refashionings of Race", Shakespeare Quarterly, 41 (Winter 1990), 433-54.

BELSEY CATHERINE, The Subject of Tragedy: Identity and Difference in Renaissance Drama ( New York: Methuen, 1985).

BENJAMIN WALTER, The Origin of German Tragic Drama, first pub. as Ursprung des deutschen Trauerspiels ( 1928); trans. John Osborne ( London: New Left Books, 1977).

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