Early Tudor Composers: Biographical Sketches of Thirty-Two Musicians and Composers of the Period 1485-1555

By W. Henry Hadow; William H. Grattan Flood | Go to book overview

X. Richard Hygons

THOSE who have studied the famous Eton College MS.--which has been so admirably and minutely described by Mr. W. Barclay Squire in Archaeologia, vol. lvi1--have been struck with the beauty of the five-part anthem, 'Salve Regina', by R. Hygons. Yet no details have hitherto appeared as to the biography of Hygons, and the only fact deducible from the MS. is that he lived before the year 1510 or 1515.

As will appear from the succeeding chapter on Richard Bramston, there is mention of Hygons in Mr. John E. West Cathedral Organists (Novello, 1921), as the first recorded organist of Wells Cathedral, under the slightly disguised form of ' Richard Hugo'. Mr. West, however, did not suspect the identity of this ' Hugo' with Hygons, but the Calendar of the Manuscripts of the Dean and Chapter of Wells, vol. ii, issued by the Historical Manuscripts Commission in 1914, leaves no room for doubt, and furnishes unimpeachable material for a memoir of this early Tudor composer.

An antiquarian friend suggested to me that probably Richard Hygons was identical with Richard Huchins, who was a vicarchoral of Wells in 1470; but this suggestion cannot stand, because the latter was dead in 1494, and Hygons was certainly living in 1507, as will be seen later. Moreover, the surnames are not the same.

Richard Hygons studied under Abyngdon, and was Master of the Choristers of Wells Cathedral in 1474. In the Chapter Act Book for 1486-7, under date of May 2, 1487, there is a record of a grant to Richard Hygons, Master of the Choristers, 'for his life', in recognition of 'his diligence and good service', of an increased salary of 26s. 8d. yearly, issuing from a vacant stall.

____________________
1
See also an article on Eton College by Mr. F. G. Edwards in the Musical Times for December, 1908.

-43-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Early Tudor Composers: Biographical Sketches of Thirty-Two Musicians and Composers of the Period 1485-1555
Table of contents

Table of contents

  • Title Page 3
  • Note 7
  • Preface 8
  • Contents 11
  • I. Gilbert Banaster 13
  • Ii. David Burton 17
  • Iii. William Cornish 20
  • Iv. William Crane 23
  • V. William Newark 27
  • Vi. Hugh Aston 30
  • Vii. Richard Pygot 34
  • Viii. Robert Fayrfax 37
  • Ix. John Browne 40
  • X. Richard Hygons 43
  • Xi. Richard Bramston 46
  • Xii. John Taverner 49
  • Xiii. Thomas Farthing 52
  • Xiv. Thomas Ashwell 55
  • Xv. Richard Davy 60
  • Xvi. Robert Cowper, Mus.D. 64
  • Xvii. John Lloyd 66
  • Xviii. Robert Jones 69
  • Xix. Nicholas Ludford 72
  • Xx. Sir William Hawte 76
  • Xxi. William Pasche 79
  • Xxii. Richard Sampson 83
  • Xxiii. Simon Burton 86
  • Xxiv. William Whytbroke 89
  • Xxv. Thomas Knight 92
  • Xxvi. John Redford 95
  • Xxvii. Thomas Appleby 100
  • Xxviii. John Dygon 104
  • Xxix. John Gwynneth, Mus.Doc. 108
  • Xxx. Richard Edwards 112
  • Xxxi. Edward Higgins 116
  • Xxxii. William Parsons 119
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 126

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.