Early Tudor Composers: Biographical Sketches of Thirty-Two Musicians and Composers of the Period 1485-1555

By W. Henry Hadow; William H. Grattan Flood | Go to book overview

XVII. John Lloyd

IN the closing years of the fifteenth century Welsh musicians began to give evidence of their Celtic inheritance, and at this date several of them were either in the service of the Chapel Royal or were attached to the Court as minstrels. Our next chapter will treat of the career of Robert Jones, and now there is the question of John Lloyd, a famous priest-composer; yet, save for the very brief notice of him by Sir John Hawkins, no biographical data can be gleaned in our usual books of reference. His name has been written 'Floyd' and 'Flude'--a not unusual form of the Welsh surname Lloyd--and although Hawkins places him under Henry VIII, he had previously belonged to the Chapel of King Henry VII, as will be seen.

The first notice of John Lloyd is in the year 1504-5, when he appears as one of the priests of the Chapel Royal, from which circumstance it is fair to conclude that he was born circa 1480. Evidently he soon got into favour, inasmuch as there is an entry in the Patent Rolls dated September 18, 1506, recording his appointment to the parish church of Munslow, diocese of Hereford, void by resignation ( Calendar of Patent Rolls of Henry VII, vol. ii, p. 499).

Probably this appointment to Munslow resulted in Lloyd's leaving the Court for the diocese of Hereford in 1506; and this is the more likely inasmuch as his name does not appear in the official list of the King's Chapel at the funeral of Henry VII on May 1, 1509. Nor yet does he seem to have been recalled to the Chapel Royal on the accession of Henry VIII, for in the Calendar of Letters and Papers of Henry VIII, vol. i, second edition ( 1920), we do not find his name in the detailed list of the King's Chapel at the coronation on Sunday, June 24, 1509. However, about a year later he was appointed a Gentleman of the Chapel Royal, and his name appears as such among those who received liveries for the funeral of Prince Henry on February 27, 1511.

-66-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Early Tudor Composers: Biographical Sketches of Thirty-Two Musicians and Composers of the Period 1485-1555
Table of contents

Table of contents

  • Title Page 3
  • Note 7
  • Preface 8
  • Contents 11
  • I. Gilbert Banaster 13
  • Ii. David Burton 17
  • Iii. William Cornish 20
  • Iv. William Crane 23
  • V. William Newark 27
  • Vi. Hugh Aston 30
  • Vii. Richard Pygot 34
  • Viii. Robert Fayrfax 37
  • Ix. John Browne 40
  • X. Richard Hygons 43
  • Xi. Richard Bramston 46
  • Xii. John Taverner 49
  • Xiii. Thomas Farthing 52
  • Xiv. Thomas Ashwell 55
  • Xv. Richard Davy 60
  • Xvi. Robert Cowper, Mus.D. 64
  • Xvii. John Lloyd 66
  • Xviii. Robert Jones 69
  • Xix. Nicholas Ludford 72
  • Xx. Sir William Hawte 76
  • Xxi. William Pasche 79
  • Xxii. Richard Sampson 83
  • Xxiii. Simon Burton 86
  • Xxiv. William Whytbroke 89
  • Xxv. Thomas Knight 92
  • Xxvi. John Redford 95
  • Xxvii. Thomas Appleby 100
  • Xxviii. John Dygon 104
  • Xxix. John Gwynneth, Mus.Doc. 108
  • Xxx. Richard Edwards 112
  • Xxxi. Edward Higgins 116
  • Xxxii. William Parsons 119
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 126

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.