Essays in Literary Criticism of George Santayana

By Irving Singer; George Santayana | Go to book overview

MYTHOLOGY

STATUS OF FABLE IN THE MIND

PRIMITIVE THOUGHT has the form of poetry and the function of prose. Being thought, it distinguishes objects from the experience that reveals them and it aspires to know things as they are; but being poetical, it attributes to those objects all the qualities which the experience of them contains, and builds them out imaginatively in all directions, without distinguishing what is constant and efficacious in them. This primitive habit of thought survives in mythology, which is an observation of things encumbered with all they can suggest to a dramatic fancy. It is neither conscious poetry nor valid science, but the common root and raw material of both. Free poetry is a thing which early man is too poor to indulge in; his wide-open eyes are too intently watching this ominous and treacherous world. For pure science he has not enough experience, no adequate power to analyse, remember, and abstract; his soul is too hurried and confused, too thick with phantoms, to follow abstemiously the practical threads through the labyrinth. His view of things is immensely overloaded; what he gives out for description is more than half soliloquy; but his expression of experience is for that very reason adequate and quite sincere. Belief, which we have come to associate with religion, belongs really to science; myths are not believed in, they are conceived and understood. To demand belief for an idea is already to contrast interpretation with knowledge; it is to assert that that idea has scientific truth. Mythology cannot flourish in that dialectical air; it belongs to a deeper and more ingenuous level of thought, when men pored on the world with intense indiscriminate interest, accepting and recording the mind's vegetation no less than that observable in things, and mixing the two developments together in one wayward drama.

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Essays in Literary Criticism of George Santayana
Table of contents

Table of contents

  • Title Page iii
  • A Note About This Edition v
  • Contents vii
  • Introduction: Santayana As A Literary Critic ix
  • Part I - Three Philosophical Poets 1
  • Part II - Critical Essays 75
  • The Homeric Hymns 77
  • Platonic Love In Some Italian Poets 94
  • Cervantes 112
  • Hamlet 120
  • The Absence of Religion In Shakespeare 137
  • The Poetry Of Barbarism 149
  • Hints of Egotism In Goethe 179
  • Shelley: or the Poetic Value Of Revolutionary Principles 186
  • Leopardi 208
  • Dickens 210
  • Emerson 224
  • Penitent Art 234
  • Proust On Essences 241
  • The Last Puritan 246
  • Preface 246
  • Tragic Philosophy 266
  • Part III - Critical Theory 279
  • The Elements And Function of Poetry 281
  • Speech And Signification 304
  • Poetry And Prose 317
  • Literary Form 336
  • Literary Psychology 394
  • Mythology 402
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