ADVERTISEMENTS

I was winsome. Dishonored. And a kingdom. I was not a republic. I was an island and land. I was early to bed. I was a character sodden agreeable perfectly constrained and not artificial. I was relieved by contact. I said good-morning, good evening, hour by hour. I said one had power. I said I was frequently troubled. I can be fanciful. They have liberal ideas. They have dislikes. I dread smoke. Where are there many children. Where are there many children. We have an account. We count daisy. Daisy is a daughter. Her name is Antonia. She is pleased to say what will you have. Horns and horns. Nicholas is not a stranger. Neither is Monica. No one is a stranger. We refuse to greet any one. We like Genevieve to satisfy us. I do not like what I am saying.

How can you describe a trip. It is so boastful.

He said definitely that they would. They have. It's a little late. I hope the other things will be as he states them. I have confidence. I have not eaten peaches. Yes I have. I apologize. I did not want to say the other word that was red. You know what I mean.

Why can I read it if I know page to page what is coming if I have not read it before. Why can I read it. I do.

I didn't.

Let me see. I wish to tell about the door. The door opens before the kitchen. The kitchen is closed The other door is open and that makes a draft. This is very pleasant in summer. We did not expect the weather to change so suddenly. There seem to be more mosquitoes than ever. I don't understand why I like narrative

-341-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Geography and Plays
Table of contents

Table of contents

  • Title Page 3
  • The Work of Gertrude Stein 5
  • Table of Contents 9
  • Ada 14
  • Miss Furr and Miss Skeene 17
  • A Collection 23
  • France 27
  • Americans 39
  • Italians 46
  • Sweet Tail (gypsies) 65
  • I- Must Try to Write the History Of Belmonte 70
  • In the Grass (on Spain) 75
  • England 82
  • Scenes. Actions and Disposition Of Relations and Positions 97
  • The King or Something - (the Public is Invited to Dance) 122
  • Publishers, the Portrait Gallery And The Manuscripts at the British Museum 134
  • Roche 141
  • Braque 144
  • Portrait of Prince B. D. 150
  • Mrs. Whitehead 154
  • Portrait of Constance Fletcher 157
  • Johnny Grey 166
  • A Portrait of F. B. 176
  • Sacred Emily 178
  • Iiiiiiiiii. 189
  • One - Carl Van Vechten 199
  • A Portrait of One 201
  • A Curtain Raiser 202
  • Ladies' Voices 203
  • What Happened - A Five Act Play 205
  • White Wines - Three Acts 209
  • Do Let Us Go Away - A Play 215
  • For the Country Entirely - A Play in Letters 227
  • Scene 2. 231
  • Scene 3. 232
  • Scene 4. 236
  • Scene 7. 236
  • Scene 3. 237
  • Turkey and Bones and Eating and We Liked It - A Play 239
  • Scene III 240
  • Scene IV - An Interlude. 241
  • Scene V - Farmer. 243
  • Scene VII 243
  • Scene IX 244
  • Scene X 247
  • Scene XIII 250
  • Scene XVII 251
  • Every Afternoon - A Dialogue 254
  • Captain Walter Arnold - A Play 260
  • Please Do Not Suffer - A Play 262
  • He Said It - Monologue 267
  • Counting Her Dresses - A Play 275
  • I like It to Be a Play - A Play 286
  • Not Sightly - A Play 290
  • Bonne Annee - A Play 302
  • Mexico - A Play 304
  • Act II 306
  • Scene II 307
  • Scene III 308
  • Scene IV 309
  • Act V 313
  • Act V 313
  • Scene II 314
  • Scene II 317
  • Scene IV 321
  • Act IV 322
  • Scene IV 325
  • Scene II 327
  • Scene IV 328
  • Scene II 328
  • A Family of Perhaps Three 331
  • Advertisements 341
  • Pink Melon Joy 347
  • If You Had Three Husbands 377
  • Work Again 392
  • Tourty or Tourtebattre - A Story of the Great War 401
  • Next. Life and Letters of Marcel Duchamp 405
  • Land of Nations. - [sub-Title and Ask Asia] 407
  • Accents in Alsace. - A Reasonable Tragedy. 409
  • The Psychology of Nations Or What Are You Looking At 416
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 422

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.