ILLUSTRATIONS IN TEXT
|Fragment of the large Mosaic at Torcello||X|
|Wooden Crucifix in Brunswick Cathedral||26|
|From an Engraving by DURER||39|
|From an Engraving by DURER||44|
|TURNER. Solway Moss (after the etching)||98|
|Auvergnate Peasant Woman spinning (from a Woodcut by Paris after J. F. Millet)||197|
|Drawing by J. F. MILLET (after a Woodcut by A. Lavieille)||199|
|EDOUARD MANET. Portrait of Courbet||255|
|EDOUARD MANET. Olympia (from a Woodcut by the Painter)||256|
|EDOUARD MANET. Portrait of Guys (from a Woodcut by Beltrand)||165|
|From a Drawing by FÉLIX VALLOTTON||276|
|From a Drawing by FÉLIX VALLOTTON||286|
|From a Drawing by FÉLIX VALLOTTON||297|
|From a Drawing by FÉLIX VALLOTTON||298|
|From a Japanese Woodcut||308|
|From a Drawing by GEORGE LEMMEN||325|
|From an Etching by HENRI DE BRAEKELEER||326|
Questia, a part of Gale, Cengage Learning. www.questia.com
Book title: Modern Art:Being a Contribution to a New System of Aesthetics.
Contributors: Julius Meier-Graefe - Author, Florence Simmonds - Translator, George W. Chrystal - Translator.
Publisher: G. P. Putnam's Sons.
Place of publication: New York.
Publication year: 1908.
Page number: x.
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