Classics and Commercials: A Literary Chronicle of the Forties

By Edmund Wilson | Go to book overview
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THE MUSICAL GLASSES OF PEACOCK

AN OMNIBUS of Thomas Love Peacock, under the title "The Pleasures of Peacock", has been brought out by a New York publisher. It is a good thing to have these novels reprinted, and Mr. Ben Ray Redman, who has edited the volume, contributes a well-informed introduction that touches briefly on almost every side of Peacock. But this book has what seems to me the serious defect of being mainly a collection of excerpts. Only two novels are given complete: Nightmare Abbey and Crotchet Castle. The other five appear merely in selections. Now, it is true that from one point of view Peacock lends himself easily to anthologizing: his plots are not usually important, and his narrative is a loose series of episodes. Yet each of his books as a whole shows the same delicate sense of form as each of the episodes and each of the sentences, and it is a pity to take them to pieces--especially since they are all so short that it was possible, in a thin-paper edition published some years ago, to include the complete novels in one pocket-size volume. It is also rather unfair, it seems to me, to shear off, as Mr. Redman has done, all the quotations that head Peacock's chapters, and to trim away a part of his learned notes. The main text can stand without them, but they do represent the soil out of which that text has grown and help to situate Peacock's mood in an early

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Classics and Commercials: A Literary Chronicle of the Forties
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