Table of Contents
|INTRODUCTION. On lmpressionism and the Binary Patterns of Art History||8|
Impressionism and Romanticism 17
|CHAPTER 1. Thematic Continuities||18|
|. Effect and Emotion in Romantic and Impressionist Painting||28|
|CHAPTER 3. Effect and Finish: The Evolution of the Impressionist Style||69|
Impressionism and Science 110
|CHAPTER 4. "Romantic" versus "Normal Science" in the Eighteenth and Nineteenth Centuries||111|
|CHAPTER 5. Science and the Arts||114|
|CHAPTER 6. The Optical as a Path to the Personal:|
The Writings of Duranty, Martelli, and Laforgue
The Gendering of Impressionism 144
|CHAPTER 7. The Gendering of Art, Science, and Nature in the Nineteenth Century||145|
|CHAPTER 8. Impressionism and Symbolism||159|
|CHAPTER 9. The Republican Defense of Science and the Regendering of Impressionism||165|
|CHAPTER 10. Impressionism and Modernism||174|
Questia, a part of Gale, Cengage Learning. www.questia.com
Book title: Impressionism:A Feminist Reading: the Gendering of Art, Science, and Nature in the Nineteenth Century.
Contributors: Norma Broude - Author.
Publisher: Westview Press.
Place of publication: Boulder, CO.
Publication year: 1997.
Page number: 5.
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