The Technique of Acting

By F. Cowles Strickland | Go to book overview
Save to active project

SUBJECT INDEX
Characters in plays mentioned are listed separately in the Character Index preceding the Subject Index.
Abbey Players, 138
Abbey Theatre, 4
Acting, ham, 162, 163, 180, 186
in motion pictures (see Motion-picture acting)
obvious, 163
restraint in, 107, 110
subtle, 163, 164
television, 2, 8, 17, 140, 150, 158, 162, 242
versatility, 8, 9, 16
Action, competing with lines, 127-134, 139
confirming speech, 211-214
contradicting speech, 210-214
derived, from character, 204-206, 211, 212, 218-220
from emotions, 218, 219
from mood and atmosphere, 204, 215, 216
from plot, 204-212
from stage directions, 204, 220, 221
from thoughts, 218-220
indefinite meaning, 211-214
invention of, 204-229, 289, 290
exercises for, 223-229
mood and atmosphere, 204, 215, 216
motivating thought, 57-59
pantomimic (see Pantomimic action)
Actor, personality of, 6, 7, 216, 217, 222, 268, 292
in relation, to director, 209, 253, 282
to playwright, 220-222, 232, 233, 236- 238, 262
to plot, 282
Actor Prepares, An,5, 16
Actors on Acting,3
Adler, Stella,5
Aeschylus, 262, 265
Agamemnon,156, 167, 168, 236, 262
translations, Hamilton, 274
Morshead, 274
Thomson, 275
Amphytrion, 211
Anderson, Judith, 7, 8, 255
Anderson, Maxwell, 30, 66, 67, 95, 182
Antoine, André, 4, 45, 138
Aristophanes, 262
Aristotle, 237, 233
Arliss, George, 216
Arms and the Man, 40, 41, 138, 189, 292, 293
Act I, 52, 53
Act II, 66, 224-225
Act III, 145
exercise, 228
Arthur, Jean, 6
As You Like It, 73, 231
exercise, 90
Audience sense of time, 230-232, 237, 242
Author (see Playwright)
Back to Methuselah, 151
Barrymore, John, 6, 212
Beethoven, Ludwig van, 9
Belasco, David, 234, 268
Berkshire Playhouse, 218
Bernstein, Leonard, 233
Best, Edna, 219
Beyond the Horizon, 34
Biography, 218
Blank verse, differs from rhymed verse, 259

-299-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
The Technique of Acting
Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 306

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?