The New Age: Notes of a Fringe Watcher

By Martin Gardner | Go to book overview

16 The Anomalies of Chip Arp

We have watched the farther galaxies fleeing
away from us, wild herds of panic horses--
or a trick of distance deceived the prism. . . .

Robinson Jeffers

In his splendid book The Drama of the Universe ( 1978) the late astronomer George Abell speculates on what generates the enormous energies emitted by quasars (quasi-stellar sources). Quasars are almost surely the most distant known objects in the universe. Their gigantic redshifts indicate that some are moving outward at velocities close to 90 percent of the speed of light. They occupy positions believed to be very near the "edge" of the light barrier, a boundary beyond which nothing could ever be observed from our galaxy.

"All these ideas," writes Abell, referring to alternative theories about the nature of quasars, "and many more (except, probably, the right one), have been suggested. . . . But I must say, the situation isn't helped any by certain catalogs of crazy-looking objects. One nasty person who has given us such a catalog, and who keeps adding to it, is Halton C. Arp. I don't know what the 'C' stands for, but all his friends call him 'Chip.' He's in danger of losing all those friends, if he keeps up what he's doing now!

"Now mind you, I am kidding, because I am very fond of Chip Arp. In fact, we were graduate students at Caltech together. But in those years he was nice."

An astronomer at Hale Observatories, in California, Chip Arp is still adding to his collection of crazy objects, and still making sharp rapier jabs at his more orthodox colleagues. (Actual sword fencing, by the way, is one of his major hobbies.) Like Thomas Gold, the subject of Chapter 15, Arp is a competent, well-informed scientist who delights in the role of gadfly. His peculiar anomalies are quasars that seem to be connected by bridges of luminous gas, but which have markedly different redshifts, or

-115-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The New Age: Notes of a Fringe Watcher
Table of contents

Table of contents

  • Title Page 3
  • Contents 7
  • Preface 9
  • Part 1 11
  • 1 - Project Alpha 13
  • 2 - Margaret Mead 19
  • 3 - Magicians in the PSI Lab 25
  • 4 - Shirley MacLaine 32
  • 5 - Freud, Fliess, and Emma's Nose 38
  • 6 - Koestler Money Down the Psi Drain? 44
  • 7 - Targ: From Puthoff to Blue 50
  • 8 - The Relevance of Belief Systems 57
  • 9 - Welcome to the Debunking Club 65
  • 10 - The Great Stone Face 72
  • 11 - From Phillips to Morris 79
  • 12 - George McCready Price 93
  • 13 - Wonders of Science 99
  • 14 - Tommy Gold 103
  • 15 - Rupert Sheldrake 109
  • 16 - The Anomalies of Chip Arp 115
  • 17 - Thoughts on Superstrings 119
  • 18 - The Third Eye 123
  • 19 - Irving Kristol and the Facts of Life 129
  • Part 2 135
  • 20 - The Great SRI Die Mystery 137
  • 21 - Perpetual Motion 145
  • 22 - Psychic Surgery 167
  • 23 - 666 and All That 170
  • 24 - D. D. Home-Sweet-Home 175
  • 25 - PK (Psycho-Krap) 179
  • 26 - Chicanery in Science 182
  • 27 - Fools' Paradigms 184
  • 28 - Look, Shirl, No Hands! 188
  • 29 - The Channeling Mania 202
  • 30 - Who Was Ray Palmer? 209
  • 31 - Prime-Time Preachers 223
  • 32 - L. Ron Hubbard 246
  • 33 - Psychic Astronomy 252
  • Name Index 265
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 280

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.