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| | INDEX Numbers in italics refer to plates. References to the Notes are given only where they indicate matters of special interest or importance: such references are given to the page on which the note occurs, followed by the number of the chapter to which it belongs, and the number of the note. Thus 281(21)5 indicates page 281, chapter 21, note 5. A | | `Accomplishments, Four': (Daitokuji), 93 ; (Hikone screen) , 136 ; ( Yū shō), 96 | | | actors, portraits of, 140, 141, 144, 147, 151 | | | 'Advantages, Ten' ( Taiga and Buson), 130 | | | Agni, 40 | | | Agriculture and Weaving, 132 | | | aidono, 281 ( 21 ) 5 | | | ai-no-ma, 242 | | | Ainu, 4, 159, 160 | | | Aizen, 59 ; 50 | | | Ajantā, 20, 227 | | | Ajātasatru, Prince, 32 | | | Akishinodera, 283 ( 22 )12 | | | alcove, picture, 76 | | | Amaterasu, 5, 23 | | | Amida, 44, 75, 212, 267 ; Chōgakuji, 47 ; Hōōdō, 45 ; 37 ; Iwafunedera, statue, 44 ; Kamakura, 56, 59 ; 50 ; Nine, from Jōruriji, 46, 223 | | | 'Amida, Descent of', 33, 46 ; Reihōkan Museum, 46, 48, 50 ; 38 | | | 'Amida, Descent of, Across the Mountains', 60, 62 ; 53 | | | 'Amida, Paradise of', 32, 208, 212 ; Hōōdō, 47 ; 39 ; Hōryũji, 13 | | | 'Amida and Twenty-five Bodhisattvas', Chionin, 60 ; Sokujōin, 46 ; 35 ; see also Raigō | | | 'Amida and Bodhisattvas': ( bronze at Tōkyō), 17 ; Sanzenin, 46. | | | 'Amida Triad' ( Tachibana), 17 - 18 ; 8, 9 | | | Amidadō, 268 ; see also Hōkaiji | | | Amitãbha, see Amida | | | Amoghavajra, 40 | | | Ando, Kaigetsudō, 142 - 3 ; 110 | | | Anesaki, M., 39 - 40, 44 | | | 'Animal Caricatures', Kōzanji, 68 - 9, 71 ; 60 | | | 'Animal Fight in the Shang-lin Park', 66 animal paintings, 63, 88 | | | Ankokuji, 282 ( 22 )4 | | | 'Annual Rites and Ceremonies' ( Mitsunaga), 41, 70, 110, 207, 231 ; 133 - 4, 139 - 40, 146 | | | Anrakuji, 240, 280 (20)3 anthropomorphism, 12 | | | Arashiyama, 117 | | | Araumi, 202 | | | Arima Springs, 83 | | | aristocracy, influence of, 2 X | | | artists, training of, in Japan and China, 2 - 3, 24 | | | Asa, Prince, of Paikche, 10 | | | Asanga, 55 | | | Asano (N.) Collection: 'Four Classes' ( Tanyū), 106 ; Kwannon ( Nōami), 86 ; Makura no Sōshi, 73 ; Sesshū scroll, 84, 85, 97 ; 'White Heron', 79 ; 73 | | | Ashikaga family, 81, 92 | | | Ashikaga period, 249, 259 ff., see also Muromachi period | | | Ashuku, Buddha, 38 | | | Asia, Central, influences from, 20 | | | Asuka period, 8 ff., 12, 16 - 21, 172 ff. | | | Asurã (fighting demons), 27 | | | Avatamsaka sect, see Kegon sect | | | Azuchi castle, 92, 93, 94, 284 (24)6 | | | Azukari, Edokoro no, 102, 110 | | | Azumaya, 66 | B | | 'Badara, Rakan' (Sōen), 85 | | | Bai Sōshi, 100 | | | Baiitsu, Yamamoto, 132 | | | Bamboo poem scroll ( Kōetsu), 114 | | | Bāmiyā n, 20 | | | Ban Dainagon, Story of, 65, 70 | | | Bannaji, 282 (22)4 | | | Banner, Bodhisattva: Shōsōin, 30, 31 ; 25 | | | Bashō, 98, 108 | | | be, 5, 7 ; see also Corporations | | | 'Beauties of the East Reflected in Fashions' (Kiyona- ga), 150 | | | 'Beauty' ( Ando), 143 ; 110 | | | 'Beauty, A Famous' ( Kiyomasu), 141 ; 111 | | | Beetle-wing shrine (Hōryūji), seeTamamushi shrine | | | Beian, Ichikawa, portrait ( Kazan), 132 ; 108 | | | bells, seedōtaku | | | Benevolent Kings, Sūtra of the, 37, 41 | | | beni-e, 141 | | | benizuri-e, 144 | | | Benzaiten, 28, 47 ; Kamakura, 57 ; 49 | | | Beppu Collection: 'Four Seasons' ( Hōitsu), 119 | | | Bidatsu, Emperor, 169 | | | 'Bird and Flower prints': ( Hiroshige), 154 ; (Hoku- sai), 153 | | | 'Bird and Red Plum Blossoms' ( Hiroshige), 154 ; 116 | | | birds, paintings of, 100 | | | 'Birds of Prey' ( Sanraku), 101 ; 91 | -297- | | |
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Publication Information: Book Title: The Art and Architecture of Japan. Contributors: Robert Treat Paine - author, Alexander Soper - author. Publisher: Penguin Books. Place of Publication: Baltimore, MD. Publication Year: 1955. Page Number: 297.
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