Maude Adams: An Intimate Portrait

By Phyllis Robbins | Go to book overview

Chapter Ten

WE DID better than might be expected in snatching glimpses of Maude during her long absences on tour. On our way back from Mexico one spring my aunt and I stopped over in Chicago because she was there. She was with us all the waking hours of our short stay. There were means of lengthening her weeks in Boston. If she were playing for a night at Salem, or Lawrence, or Lowell, she had a way of dropping in at our house unexpectedly; and Hartford was not really far. It was fun when we motored down on a Saturday and brought her and Miss Boynton back next day for the Boston engagement, especially as that Sunday was Maude's birthday, and our picnic lunch on the way home included a cake. She and my aunt seemed to have an understanding with the calendar that their birthdays should fall on the Sabbath. Miss Boynton's pleasure at being once more at the Touraine makes me feel it was all right to deposit her there, and then run off with Maude to 44.

Miss Boynton was always jotting down a hasty diary. She used loose pages, small and squarish, which she could tuck into an ordinary envelope and not be bothered with a binding. On one of these she wrote:

HOTEL TOURAINE BOSTON,

Nov. 11

I am again in this wonderful place; my room is in the same location as when, in the fall of 1906, I came here first-at the time of the White Rat. [A gift to Maude from a young admirer.]

It seems unchanged in a changing even a crumbling world. The

-155-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Maude Adams: An Intimate Portrait
Table of contents

Table of contents

  • Title Page iii
  • Acknowledgments v
  • Chapter One 3
  • Chapter Two 21
  • Chapter Three 40
  • Chapter Four 58
  • Chapter Five 75
  • Chapter Six 89
  • Chapter Seven 110
  • Chapter Eight 124
  • Chapter Nine 140
  • Chapter Ten 155
  • Chapter Eleven 165
  • Chapter Twelve 174
  • Chapter Thirteen 186
  • Chapter Fourteen 201
  • Chapter Fifteen 213
  • Chapter Sixteen 232
  • Chapter Seventeen 247
  • Chapter Eighteen 257
  • Chapter Nineteen 263
  • Chapter Twenty 284
  • Appendix 292
  • Index 299
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 308

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.