CHAPTER II

THE LITERARY "FELLOW-TRAVELERS" OF THE
REVOLUTION

TRANSITIONAL ART--A NEW SOVIET POPULISM.--KLIUEV, A REVOLU-
TIONARY "FELLOW-TRAVELER".--YESSENIN AND THE IMAGISTS.--
THE UNFORMED REALISM OF THE "SERAPION FRATERNITY".--THE
RETROGRESSIONAL REALISM OF PILNYAK.--RUSTIC OR PEASANT-
SINGING POETS.--THE "CHANGING LANDMARKS" GROUP.--NEO-
CLASSICISM OR "REVOLUTIONARY CONSERVATISM".

NON-REVOLUTIONARY or non-October literature, as we characterized it in the first chapter, is now in reality a past stage. At first, the writers placed themselves in active opposition to October, denying all artistic recognition to everything connected with the Revolution, just as the teachers refused to teach the children of revolutionary Russia. The non-October character of literature, therefore, not only expressed the deep alienation that lay between the two worlds, but it became also a tool for active politics, the sabotage of the artist. This policy annihilated itself; the old literature is now not so much unwilling, as unable.

Between bourgeois art, which is wasting away either in repetitions or in silences, and the new art which is as yet unborn, there is being created a transitional art which is more or less organically connected with the Revolution, but which is not at the same time the art of the Revo

-56-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
Literature and Revolution
Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 256

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?