The Landscape Painting of China and Japan

By Hugo Munsterberg | Go to book overview

LIST OF PLATES
Frontispiece. Autumn Landscape, traditionally ascribed to Emperor Hui Tsung, Coll. Konchi-in, Kyoto
1. Ku K'ai-chih: The Nymph of the Lo River (section of scroll), Coll. Freer Gallery of Art, Washington, D.C.
2. Jataka Scene from Cave 110 at Tun Huang, Courtesy L. Warner
3. Sarcophagus with Stories of Filial Piety, Coll. Nelson Gallery of Art, Kansas City
4. Sacrificial House with Scenes of Filial Piety, Coll. Boston Museum of Fine Arts
5. Li Chao-tao (?): Travellers in Mountain Landscape, Coll. National Museum, Peking
6. Li Chao-tao (?): Travellers in Mountain Landscape (detail), Coll. National Museum, Peking
7. After Li Chao-tao: Ch'iu Ch'êng Palace, Coll. Boston Museum of Fine Arts
8. Wang Wei: Wang Ch'uan Scroll (section of scroll), Courtesy Chicago Natural History Museum
9. After Wang Wei: Winter Landscape, Coll. Freer Gallery of Art, Washington, D.C.
10. After Yang Shêng: Misty Landscape, Coll. Metropolitan Museum of Art, New York
11. Anonymous artist: Winter Landscape, Coll. Palace Museum, Peking
12. Ching Hao: View of the K'uan-lu Mountains, Coll. Palace Museum, Peking
13. Li Ch'êng: Travellers Among the Snowy Hills, Coll. Boston Museum of Fine Arts

-xi-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Landscape Painting of China and Japan
Table of contents

Table of contents

  • About the Author *
  • Title Page iii
  • Acknowledgements vii
  • Note viii
  • Contents ix
  • List of Plates xi
  • The Landscape Painting of China 1
  • 1 - The Spirit of Chinese Landscape Painting 3
  • 2 - The Beginnings of Chinese Landscape Painting 13
  • 3 - The T'Ang Period 19
  • 4 - The Fire Dynasties and Early Sung Periods 31
  • 5 - The Northern Sung Period 43
  • 6 - The Southern Sung Period 51
  • 7 - The Yüan Period 59
  • 8 - The Ming Period 65
  • 9 - The Ch'Ing Period 73
  • The Landscape Painting of Japan 79
  • 10 - The Beginnings of Landscape Painting in Japan 81
  • 11 - The Heian and Kamakura Periods 87
  • 12 - The Muromachi Period 95
  • 13 - The Momoyama Period 105
  • 14 - The Edo Period 111
  • 15 - Landscape Painters of the Ukiyo-E School 121
  • Notes 129
  • Bibliography 135
  • Index 139
  • Plates 145
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 250

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.